DOCUMENT 1
A RENEWED ACTION PLAN FOR ARTS, HERITAGE AND CULTURE
IN OTTAWA (2013-2018)
Message from Councillor Mark Taylor
It is with great
pleasure that, as Honourary Chair of the Arts and Heritage Plan Renewal
Steering Committee, I am able to present the renewed action plan for arts and
heritage in Ottawa. The thoughtful recommendations in this plan are the result
of wide-ranging and productive discussions involving the cultural and business
communities, citizens from all sectors and walks of life, and municipal staff.
It is truly a community plan, respectful of current economic challenges, but
also inspiring in its confidence in Ottawa's great future.
Worldwide, cities
are recognizing how richly cultural activity contributes to life in their
communities, whether to the local economy, or to social vitality. In a report
entitled Valuing Culture, the Conference
Board of Canada estimated the economic impact of the cultural sector in 2007 to
be an impressive $85 billion, with an employment of 1.1 million jobs.
Inextricably woven into the activities which produce these economic benefits
are the benefits to the quality of life in our cities. When all citizens have opportunities to
participate in the cultural life of their communities, and feel free to express
their cultural identity, the social pay-offs can be great. Communities develop greater cohesion and
intercultural trust, improved public safety, more engaged youth, a higher level
of community health, and the innovation which leads to creative growth.
The 20/20 Arts and Heritage Plan adopted in 2003 has delivered fruitful
results in Ottawa’s local arts, heritage, festival and fair sectors,
demonstrating that increased municipal investment in culture has leveraged
success and investment from other sources. This renewed action plan builds on
these past accomplishments, seeks to address still outstanding goals and, in
partnership with our city's communities, takes the next steps towards enhancing
Ottawa’s confident, competitive edge on the world stage.
I would like to take this opportunity to thank the members of the
Steering Committee, chief among them their Chair, Dr. Lilly Koltun, who
collectively guided this important process towards a renewed plan that supports
our city’s creative energy and resources. Your passion and commitment are an
inspiration to us all.
Mark Taylor – Ward 7 Bay
Chair, Community and Protective Services Committee, City of Ottawa
Message from Steering Committee
Capital
City Creative – Arts, Culture and Heritage in Ottawa
Dear Councillor Taylor, and Members
of the Community and Protective Services Committee:
To begin on a personal note: this
Steering Committee Chair is also a mature student, who has found herself
recently in rooms full of aspiring young artists in the University of Ottawa’s
fine arts program. One insight that
seems to come easily to both the old and the young is the knowledge that what
moves the heart, moves mountains.
Hence, we celebrate the wisdom that
everything depends on creativity. It
underpins human enterprise, bolsters our daring, keeps fresh our past, and thus
ensures our prosperity, a precious bequest to leave our children.
Ottawa deserves to be such a
creative city. Together with myself and
our Vice-Chair, Jacqueline Pelletier, our Steering Committee presents this
renewed plan to achieve it, with key recommendations to support and help grow
the creative enterprise that has taken root in our city. Established initiatives, like our enviable
festivals and fairs and network of performers, artists and cultural workers,
need a steady partner to encourage new supporters, develop city-wide spaces and
respond to bigger audiences. New
beginnings, like the embrace of Aboriginal and new citizens‘ diversity and the
enthusiasm of our youth, need the support to grow into their own vigorous
momentum. Such events and places
underpin a recognized part of our economic success (almost $2 billion of our
city’s GDP), our attraction as a great city, our springboard to the highest ambitions.
How astonishing therefore, that so
much is dependent on the talents of volunteers, who represent close to half of
the people who create and manage Ottawa’s arts and heritage sector. This report’s recommendations seek to alert
Ottawa to the continuing need to help establish a lasting foundation for the
sector, to embed it in the vision of Ottawa which values economic planning, new
transportation and building developments, and important societal
commitments. The City has a wealth of
ways to help arts and heritage: it can refresh its policies and staff, showcase
the city’s unique peoples and districts, emulate best practices in new
citizen-partnered authorities and bodies, convene stakeholders to inspire
audacious ideas, implement incentives, install by-laws, negotiate provincial
assistance, commit to planned and structured investment, and communicate the
vibrant city widely.
A unique opportunity to showcase the
breadth and depth of Ottawa’s talents and heritage will arrive with the
celebrations of Canada’s 150th anniversary in 2017. Our committee seeks to have Ottawa declared a
national Cultural Capital for that year, an inspiring recognition! To move arts, culture and heritage from the
margins to a place standing with the city’s leading initiatives is to align
Ottawa with great and mature capitals.
It is to discover the heart that moves mountains at the heart of the
city’s success.
Come join our Steering Committee and
let’s all be young, and admired for our creative city’s wisdom in supporting
our arts, culture and heritage!
Lilly Koltun, PhD (Chair),
Jacqueline Pelletier (Vice-Chair), and Members of the Steering Committee
Building on Ottawa’s Strengths
Ottawa is a vibrant, cultural
capital with a unique identity and a colourful history - a dynamic place in which to live, work and
play. Surrounded by farms and nature,
over 80% of Ottawa’s land is rural. Ottawa’s
cultural assets include a UNESCO World Heritage Site
(Rideau Canal); major, national cultural attractions; a local arts and heritage
scene that reflects the vitality of Ottawa’s communities in two official
languages; exceptional home-grown festivals, fairs and events; international
award-winning artists in all disciplines; diverse cultural neighbourhoods;
historic rural communities and landscapes; interesting street culture; and a
thriving culinary scene.
This renewed action plan for culture builds on Ottawa’s strengths, and sets out a path aimed at reaping the major economic impacts, social benefits and positive environmental effects that lie seeded within Ottawa’s current cultural scene. The role and place of culture within the creative economy and the liveable city have been well researched and described by leading thinkers, economists and historians. Ottawa is ripe with enormous cultural potential and opportunities, if the right partnered steps can be taken.
Ottawa’s Identity
Ottawa is
Canada’s largest city in geographic size and 4th largest city by
population. Built on traditional
Algonquin Anishinabeg land, the Ottawa area was settled by Anglophone and Francophone
pioneers and is now home to a diversity of peoples from around the world.
As a meeting place for Indigenous and Aboriginal peoples for 8,000 to 10,000 years, Ottawa now has the third fastest growing urban Aboriginal population in Canada and the largest Inuit community outside of the north. Ottawa is an important centre of Franco-Ontarian culture, and its bilingual character is an advantage for the city in many ways. Ottawa is home to a myriad of diverse voices and communities, and is currently a destination of choice for immigrants the world over.
Opportunities
Ottawa is
both a dynamic city with its own cultural vitality and a national capital with
a mandate to preserve, present and promote Canadian culture in both official
languages to all Canadians and abroad. Ottawa
has its own resident artists to nurture and support; cultural, natural and
documentary heritage to preserve and present; and exceptional home-grown
festivals and fairs to sustain. This dual status provides an opportunity to develop
Ottawa into a truly international cultural capital that offers excellent
quality of life to its residents, and that attracts talent, tourists and
business. Positioned directly on the provincial border with Québec, Ottawa also
has an interesting opportunity to partner with Gatineau on cultural initiatives.
Ottawa
20/20 Arts and Heritage Plan
The Ottawa
20/20 Arts and Heritage Plan was approved by City Council in 2003 as one of
five growth management plans alongside the Economic Strategy, the Environmental
Strategy, the Human Services Plan and the Official Plan. The Arts Plan focused on artists, communities,
creativity and connections. The Heritage
Plan defined heritage as ‘a legacy inherited from the past, valued in the
present, which it helps interpret, and safeguarded for the future, which it
helps shape.’
The following
Council-approved strategic directions represented 20-year goals:
Arts
1. Broaden Public Access to the Local Arts
2. Keep Ottawa’s Artists Here
3. Build Creative Capacity
4. Revitalize Public Places and Natural Spaces
Through the Arts
5. Realize Economic Potential of Local Cultural
Sector
Heritage
1. Identify, Collect and Preserve
2. Research, Interpret and Promote
3. Build Capacity
Culture Plan Renewal
In addition to 20-year strategic directions, the Arts and Heritage (Culture) Plan identified strategies, policy statements and a first five-year action plan. The Plan was to be reviewed and renewed for relevancy every five years. A renewal process aimed at the development of a second 5-year action plan for culture began in August 2009.
Renewed strategies and actions have been developed with input, guidance and direction from:
i) a 13-member, peer-selected, community Steering Committee;
ii) the City of Ottawa Arts, Heritage and Culture Advisory Committee and other municipal advisory committees;
iii) a review of the outstanding actions from the first Arts and Heritage five-year action plan;
iv) 75 individual interviews with cultural, community, business, political and government leaders;
v) extensive individual and collective feedback on 11 culture plan renewal discussion papers;
vi) 11 facilitated focus groups that gathered together 200 experts from various cultural and connected sectors to
focus on specific themes; and
vii) six geographically-distributed public open houses and a full day un-conference (Open Ottawa Libre) that, in
total, engaged 226 participants to provide input and feedback on a draft renewed action plan.
Four Strategies for the Next Six Years
In the eight
years subsequent to Council approval of the Ottawa 20/20 Arts and Heritage Plan
(2003), there have been significant local cultural accomplishments. Renewal represents the next step forward for
Ottawa, and the following four strategies provide the framework for a renewed six-year
action plan for arts, heritage and culture:
Actions have
been crafted based on best practice, and on new leading practice. Collaboration is the recommended approach for
all actions; with internal, external, government, private and community
stakeholders working in partnership.
Local cultural service organizations (Arts Ottawa
East Arts Council, Coalition of New Canadians for Arts and Culture, Council for
the Arts in Ottawa, Council of Heritage Organizations in Ottawa, Heritage
Ottawa, Ottawa Festivals, Ottawa Museum Network), provincial Francophone cultural service
organizations located in Ottawa (Alliance culturelle de
l’Ontario, Association des auteures et auteurs de l’Ontario français,
Association des professionnels de la chanson et de la musique, Bureau des
regroupements des artistes visuels de l’Ontario, Réseau du patrimoine
franco-ontarien, Théâtre Action, Union provinciale des minorités raciales et
ethnoculturelles francophones)
and other major cultural coalitions and umbrella organizations are key
stakeholders and partners.
This renewed
action plan for culture will take Ottawa to the next level of cultural
development and sustainability, and to a suitable position alongside other
Canadian cities. In addition to closing
gaps and meeting emerging needs, renewed actions will help the city prepare to
celebrate the 150th anniversary of Canadian Confederation in 2017. It is time to open Ottawa’s cultural window
to the world.
BENEFITS, IMPACTS AND INDICATORS
Culture – The
Fourth Pillar
Culture is internationally recognized as one of the
four pillars of community sustainability, alongside the environment, the economy
and the social sphere. The City of
Ottawa has adopted this best-practice, four-pillar model within its ‘Choosing
Our Future’ and ‘Corporate Sustainability’ initiatives. Culture plays a central role in cities,
contributing positively to economic indicators, social cohesion measures,
environmental initiatives, quality-of-life, prosperity, happiness and
health. International capital cities consistently
increase their attention to culture, ensuring that local and national culture
are supported and employed to market and attract visitors, businesses and new
residents.
Culture and Economic Development
Cultural industries are core to the creative sector. The creative industries in Ontario generate $12.2 billion in GDP for Ontario’s economy annually. Creative industry GDP is now larger than Ontario’s energy industry, is fast approaching 70% of the auto manufacturing sector and surpasses those of agriculture, forestry and mining sectors combined. Between 1999 and 2007, Ontario’s creative cluster job growth was double that of the rest of the economy – 38.3% compared with 17% in the overall Ontario economy.1
Ottawa’s Local, Cultural Non-Profit Industry
Based on a 2010
income/expense study that analyzed the audited financial statements of 88 local
cultural organizations, Ottawa’s local, non-profit cultural industry directly
generated and spent $51M in Ottawa collectively in the 2008/09 fiscal year. The municipal annual investment in the local
cultural sector leverages significant earned revenue, private revenue,
provincial and federal government funding and other revenue for Ottawa. In 2008/09 (a year of significant economic
downturn), $1 of municipal cultural investment directly leveraged $6.28 from
other sources.
42% $21.6M Earned
Revenue (box office, admissions, tuition)
21% $11.1M Provincial
and Federal Government Investment
21% $10.6M Private
Sector Revenue (corporate sponsorship, fundraising, donations)
14% $7M Municipal
Government Investment
2% $1M Other Revenue
100% $51.3M2
Annual income/expense
studies of the local, non-profit cultural sector from 2006 to 2010 show the
direct leveraging effect of one municipal dollar of investment to be in the
range of $6.28 to $11.70.3
Direct, Indirect and Induced Economic Impact of
Culture
Public sector
investment in arts and culture is the catalyst for private sector support and
together these drive direct, indirect and induced economic impact. Arts and culture in Canada provide an
economic engine that drives impact at as much as 12x the level of initial
public sector investment.4 A recent economic study reported that
Ottawa-Gatineau’s cultural industry (non-profit and for-profit) represented
approximately 4.1% of GDP – totalling $1.98B.5
1Ontario’s Entertainment and Creative
Cluster, A Framework for Growth, Ontario Ministry of Tourism and Culture, 2010
2Parks, Recreation and Cultural
Services, City of Ottawa, 2010 Revenue/Income Study
3Parks, Recreation and Cultural
Services, City of Ottawa, 2006, 2007, 2008, 2009 and 2010 Revenue/Income
Studies
4Council for Business and the
Arts in Canada, 2006
5Culture as a Driving Factor of
Growth, Culture’s Econometric Model, Jaime Waitman, B.A., M.A., Department of
Economics, Carleton University, 2011:
Due to GDP data classification limitations, this snapshot was approximated using
45% total cultural GDP (as defined by Statistics Canada, NAICS codes 51 and
71). This “culture-specific” ratio was
derived from cultural employment data at the 3 and 4 digit NAICS code levels.
Employment – Ottawa Artists and Cultural Workers
In 2006, Ottawa was home to 4,600 artists or 0.9% of the local labour force - slightly higher than the provincial and national averages at 0.8% each. The median earnings for Ottawa artists was $15,800 – 54% less than the median earnings for the overall labour force, despite the fact that 55% of Ottawa artists had achieved a bachelor degree or higher. Artists were defined through nine Statistics Canada occupation groups that include actors, choreographers, craftspeople, composers, conductors, dancers, directors, musicians, producers, singers, visual artists and writers.6
In 2006, Ottawa was home to 22,500
cultural workers or 4.7% of the total labour force, which was greater than the
Canadian average (3.3%). The median
earnings for Ottawa cultural workers was $37,300 – 9% higher than the median
earnings for the overall labour force.
Cultural workers were defined to include 48 occupation groups that
contain the nine artist groups but also include creative, production, technical
and management jobs in the areas of architecture, archives, broadcasting,
crafts, design, film and video, heritage, libraries, performing arts, publishing,
sound recording, visual arts, and writing.6
Volunteerism in Ottawa’s Local Culture
In 2010, over 21,861 volunteers contributed to the operation of direct and funded local cultural programs and events in Ottawa. This volunteer commitment represents 519,755 volunteer hours and is valued at $9.1M.7
Attendance and Participation
in Local Ottawa Culture
2010 attendance and participation
in the City of Ottawa’s direct and funded cultural (arts, heritage, festival,
fair) programs and events totaled 4.1 million. 8
Consumer Spending on Culture in Ottawa
In 2007, Hill Strategies Research examined the 2005 spending of Canadians on cultural activities, goods and equipment. Ottawa-Gatineau ranked 1st out of 15 Canadian metropolitan areas in terms of per-capita consumer spending on all cultural goods and services.9 Direct consumer spending by Ottawa residents indicates support for culture.
6 Mapping Artists and Cultural Workers in Canada’s Large
Cities, Hill Strategies Inc., 2010
7 Parks, Recreation and Cultural Services,
2011
8 Parks, Recreation and Cultural Services,
2011
9 Consumer Spending on Culture in Canada, the
Provinces and 15 Metropolitan Areas in 2005, Hill Strategies Research Inc.,
2007
RECOMMENDED STRATEGIES AND ACTIONS
Legend * - Community
Cultural Partners • - Cultural
Services, City of Ottawa ^ - Economic
Development, City of Ottawa and Economic Development/Tourism Agencies ~ - Planning and Growth Management, City of Ottawa ¤ - Parks
and Recreation, City of Ottawa ¥ - Client
Service Strategies, City of Ottawa < - City Clerk, City of Ottawa + - Community Sustainability, City of Ottawa |
I.
CELEBRATE OTTAWA’S
UNIQUE CULTURAL IDENTITY AND BUILD ACCESS TO CULTURE FOR ALL
Ottawa has a unique cultural identity and is
home to a diversity of people and communities. Recognition and celebration of Ottawa’s unique
local heritage, artists, cultural assets, neighbourhoods and stories will build
local pride and community connections.
Access to cultural opportunities and cultural participation for the full
diversity of Ottawa residents will encourage social cohesion, civic engagement
and safer, healthier neighbourhoods.
Young, new, distinct, emerging and re-emerging cultural voices are
vital. They balance, challenge and complement
established expression, often ushering in rebirth and revival.
Recommended actions are:
Unique Stories and Cultural
Identities
• Develop and implement a municipal
commemoration and naming
policy
that:
-
is
overseen by an arms-length advisory body composed of citizens and heritage
authorities
-
nurtures
citizen and community engagement
-
enables
the recognition and celebration of Ottawa’s distinct, unique and cultural histories,
places, people and events and
-
identifies
adequate resources for implementation •*~<
•Tell the full Ottawa story by researching,
documenting and presenting the development of Ottawa’s distinct and diverse communities
*•
• Partner with the NCC, Parks Canada and
Agriculture Canada on the Rideau Canal Promenade (UNESCO World Heritage Site)
interpretive initiative •~
(First Nations, Inuit and Métis)
Cultural
Identities
•Recognize the Algonquin Anishinabeg First
Nation as the Indigenous community in Ottawa by developing civic protocol, communication
and cultural partnership opportunities •¥
• Develop and spearhead the implementation of
Indigenous and Aboriginal cultural initiatives by hiring a full-time municipal
Aboriginal cultural resource planner of Aboriginal ancestry •¥
for All •Ensure that all cultural, connected and community voices are represented in municipal cultural planning and decision-making and municipal cultural employees reflect community diversity •~+
•
Develop greater access to municipal arts, heritage, festival and fair funding
for diverse, emerging and minority communities by establishing tailored
programs, increasing targeted promotion, and developing comprehensive outreach
and communication •
•Include the work and participation of diverse and emerging artists and cultural communities in cultural initiatives/programs delivered by the City and provide incentives to funded cultural organizations to do the same •*
• Increase the provision of Francophone cultural programs and services delivered by the City and its partners, including the translation of promotional materials, and ensure that these programs and services are designed and delivered by Francophones, as stated in the City of Ottawa’s Bilingualism Policy •*
•Promote existing artistic mentorship programs that connect emerging artists with more experienced artists and develop new programs to meet needs *•
Youth
• Support youth-led cultural initiatives and work
with partners to convene a city-wide youth celebration outside of the school
environment that connects youth to each other and to local creative communities
*•
• Provide incentives to existing cultural organizations through municipal cultural funding programs to develop and provide training opportunities, internships, apprenticeships and work placement programs for youth •*
• Promote existing initiatives that foster youth awareness around careers in culture and develop new initiatives to meet needs •^
• Convene regular meetings with youth organizations, community arts leaders and various City divisions and agencies to generate peer to peer knowledge exchange and to build capacity •*
• Build the capacity of local cultural
organizations to develop and deliver professional cultural experiences that
expand the understanding and appreciation for arts and heritage in children and
youth, and that meet educational curriculum needs *•
II.
PRESERVE AND DEVELOP CULTURAL
AND CREATIVE PLACES AND SPACES
Places and spaces matter. Great places and spaces matter more. Located in the great Ottawa Valley, Ottawa
lies on the banks of the Ottawa River and has the mouths of the Rideau River
and Canal within its hold. Ottawa’s
remarkable natural environment initiates its identity. Archaeology, natural and cultural heritage,
cultural facility development, creative clusters and cultural districts, public
art, architecture and urban design are all about place-making.
Place-making makes good economic sense, and
smart cities develop communities in which people want to live, work and
play. Creative talent chooses to live in
places that are authentic and creative; businesses locate to places in which
their employees have access to a rich menu of cultural opportunity; and tourists
seek out unique cultural experiences.
Recommended actions are:
for Archaeology
• Develop a joint plan for archaeological
resources in Ottawa, in partnership with the NCC, that focuses on:
- resource protection, conservation and management;
- planning, design and land use, including an update of the 1999 Archaeological Resource Potential Mapping Study10;
- interpretation and public awareness;
and hire a full-time, professional municipal archaeologist
to spearhead partnered implementation ~•
Built
and Natural Heritage
• Pro-actively seek designation of heritage buildings and districts under Parts IV and V of the Ontario Heritage Act ~
• Establish a municipal bylaw that enforces the preservation of heritage buildings and districts ~
•Provide increased incentives to property owners for the adaptive re-use of historically significant, urban and rural buildings and structures ~
•Identify, inventory and preserve rural, suburban
and urban cultural heritage landscapes11 ~•
10 in
concert with the 2014 Official Plan Review
11Cultural heritage landscapes are geographic areas that have been modified,
influenced, or given special cultural meaning by people. They provide the
contextual and spatial information necessary to preserve and interpret the
understanding of important historical settings and changes to past patterns of
land use. Examples include a burial ground, historical garden or a larger
landscape reflecting human intervention, such as the Rideau Canal, the Rideau
and Ottawa Rivers, etc.
to Address Community Needs and
Sustain
Their Operation • Expand, redevelop and operate Arts Court and the Ottawa Art Gallery as a
downtown centre for professional cultural production and presentation in the
literary, media, performing and visual arts •*
• Upgrade and expand La Nouvelle Scène, Ottawa’s Francophone theatre centre, through mechanical, electrical and architectural improvements and an increase in office and rehearsal space *•
• Establish a steering committee and launch a renewed initiative to develop a purpose-built, acoustically-superior mid-sized concert hall, identify a downtown location through market and space analysis, develop a building program and initiate a call for proposals *•
•Undertake a comprehensive needs analysis study related to storage and preservation requirements for community and municipal arts, heritage and archaeological collections *•
• Implement capital improvements (collections storage and visitor services) at Cumberland Heritage Village Museum •
• Support the implementation of capital development plans currently underway at local museums *•
•
Implement a pilot project in collaboration with the City’s Housing Services
Branch to develop Ottawa’s first municipal, affordable artist live-work scenario, to include a focus on aging artists *•~
Endorse the partnered development of:
•
A national Indigenous Centre at Victoria
Island that gives distinction
to the story of the Algonquin
Anishinabeg First Nation, focuses on historical and archaeological presentation, and
aims to preserve and revitalize Aboriginal languages12
•
A digital media incubator and hub
that creates possibility for incubation in all disciplines, is linked with
universities and other learning institutions, is networked for social
innovation, and fosters interdisciplinary approaches13 ^
12 On November 19, 2010, Ottawa City
Council approved a motion to support a National
Indigenous Centre in the Nation's Capital, and to encourage the Federal
Government to work with stakeholders (First Nations, Province of Ontario, etc.)
to establish a National Indigenous Centre on Victoria Island.
13 On July 13, 2011, Ottawa City
Council approved the Economic Development Strategy Implementation Plan that
included the creation of an industry-led digital
media lab if future funding were available.
As Ontario’s secondary digital media hub, the Plan identified Ottawa as
being well positioned to take a leadership role in the creative industry market
if it were to have a digital media lab.
•
A new, central branch of the Ottawa
Public Library that includes space for the local literary arts scene14
Recreational
Facilities • Integrate cultural space within new
growth-related recreational facilities and expansions, in collaboration with
Parks and Recreation ¤•
and
Unused Spaces for Culture • Support the transformation of under-used and
unused places in cultural facilities, City-owned properties, libraries and
community centres into affordable, accessible spaces that can meet community
cultural needs, especially those of young, diverse and emerging artists and
communities ~•¤
•Develop and administer a rental subsidy program that funds the use of existing rental space by young, diverse and emerging artists and communities •
Space in Private Development • Negotiate the inclusion of cultural amenities within specific private development projects, as a community benefit connected to the implementation of Section 37 of the Planning Act (Increase in Height and Density By-law)15 ~•
• Develop a range of financial incentives and tax levers for business owners to encourage the leasing/renting of private spaces for cultural use ~•
and Creative Districts and
Clusters
• Undertake a feasibility study for the development of an arms-length arts and culture space development authority for Ottawa that focuses on cultural facility, cluster and district development, similar to Toronto’s Artscape, and initiate operation *•~
• Support the development of cultural and creative districts and clusters such as the Downtown Rideau/King Edward corridors, Hintonburg/Mechanicsville, Manotick (Dickinson Square), Vanier and at Light Rail Transit stations (including public art and an Algonquin-themed Lebreton LRT station); and begin to pilot specific cultural initiatives within these districts *•~
14A new central branch of the
Ottawa Public Library would require a major civic investment with
significant and measurable rates of return – economically, socially,
educationally and culturally. The
Renewal Steering Committee wishes to endorse this project for future
implementation.
15 Section
37 of the Ontario Planning Act permits cities to authorize increases in permitted height and/or density
through the zoning bylaw in return for community benefits, provided that there
are related Official Plan policies in place.
The term “community benefits” is meant to reflect each city’s priority
on providing public benefits to the local community. The increase in height and/or density is an
incentive to the developer to provide these benefits at no cost to the City. Current City of Ottawa density incentive
guidelines include reference to public cultural facilities, public art,
conservation of heritage resources, artist live-work studios, and conservation
of existing green space among other items.
Design and Public Art • Develop and implement an updated public art policy16 that meets professional standards and best-practice, adopts a wider definition of public art, addresses Ottawa’s full geographic scope and ensures adequate art conservation practice •~*
• Encourage increased adherence to the City’s Urban Design Objectives and related policies in the Official Plan and support the City of Ottawa Urban Design Review Panel’s advice for improvement of the built environment ~
• Implement international architecture and
design competitions for significant municipal projects, and include an artist
and a historian on related panels and boards ~
III. GET THE WORD OUT ABOUT OTTAWA’S
VIBRANT LOCAL CULTURE AND UNIQUE IDENTITY
Ottawa’s distinct dual status as National Capital and 4th
largest Canadian city creates an exciting menu from
which residents and visitors can select their chosen cultural experiences. Ottawa’s local cultural scene is rich
and alive, and the city is a unique and exciting destination. Cultural marketing and promotion focused on the
local cultural scene is required in order to get the word out to local, national and international audiences.
Recommended actions are:
Cultural
Brand for Ottawa
• Develop and promote a vibrant brand that reflects and effectively markets Ottawa’s unique Aboriginal, Francophone and Anglophone identities; its people from around the world; its large pool of artists; its unique history and heritage; its festivals and fairs; thriving culinary scene; agricultural and natural lands; and its diverse neighbourhoods - urban, suburban and rural *•^
• Identify, market and promote Ottawa’s local
arts, heritage, festival, fair and culinary products, scenes and experiences
using new and existing tools, including a visible, cultural kiosk that provides
information and access to tickets
for local arts, heritage, festivals and fairs *•
• Identify local, market-ready cultural tourism
experiences; develop
cultural tourism packages, cross-products and cross-promotion in partnership with the national cultural sector; and implement joint cultural tourism initiatives that market Ottawa to Ottawans, to Canadians and to international visitors •^*
16 Public art can be defined as the integration of
permanent or temporary site-specific works of art into the physical public
domain (buildings, natural places, public spaces and structures) through a
community design process that includes artists, architects, city planners and
citizens
Connections
• Take a proactive approach to connecting the cultural initiatives of embassies and consulates that occur in Ottawa with the local cultural scene in order to build partnership opportunities and joint initiatives •^
• Develop a sustainable program that includes
local cultural participation and content in international exchanges spearheaded
by municipal agencies, and in local business and trade missions aimed at
international markets ^•
poet whose work displays excellence to serve as Ottawa’s literary ambassador, to promote the literary arts to Ottawans and to advance Ottawa’s unique voice in the world •*
Capital
of Canada” •Submit a municipal application to the
Department of Canadian Heritage’s “Cultural Capitals of Canada” program17 to receive a designation as a 2017
“Cultural Capital of Canada”, in celebration of the 150th
anniversary (sesquicentennial) of Canadian Confederation and Ottawa’s
burgeoning and vibrant local arts and heritage scene •*
IV. INVEST
IN LOCAL CULTURE AND BUILD CULTURAL LEADERSHIP
With its multiple layers of government, community,
business and academia, Ottawa carries very strong potential for successful
cultural leadership. We must look both
to the unique practices of Ottawa’s past and to the promise of its distinct
future in order to etch out an ideal map for cultural leadership, governance
and service.
The economic and social returns generated by
municipal investment in culture are significant. An incentive-based approach
for culture with greater accessibility to current resources, strengthened
investment, and specific tools that can increase dedicated funding is
recommended.
Private and public funding of culture are not
interchangeable but interdependent.
Municipal investment acts as a powerful lever. The City’s “first-in” investment triggers a
stream of additional funding from a wide variety of sources - private
donations, corporate sponsorship, funding from other government levels and
earned revenue. To build competitive advantage, and to realize the full
economic potential of the local cultural sector, Ottawa must bring its
commitment to culture to a competitive level.
Connection and collaboration between culture,
economic development and tourism sectors are also key to Ottawa’s
prosperity.
17 Cultural Capitals of Canada recognizes and supports Canadian communities that
have a record of harnessing the many benefits of arts and culture in community
life. Its objective is to stimulate
sustained community supports for the arts and heritage. Designation as a Cultural Capital of Canada
enables a community to invest more in arts and culture, to increase and improve
cultural services, to strengthen connections with other communities through
shared cultural experiences, to enhance partnerships with local cultural and
community organizations and other stakeholders and to advance cultural
development by further integrating arts and culture in municipal planning.
Recommended
actions are:
and Fairs • Invest
in this renewed 5-year action plan for culture in order to:
-
Build capacity, leverage other sources of revenue
and increase sustainability in the local arts, heritage, festival and fair
sectors;
-
Achieve cross-Canada
per-capita average competitiveness for culture (as approved by Council in the original
Ottawa 20/20 Arts and Heritage Plan);
-
Build the local
capacity to connect with international cultural capital cities;
-
Reap the
positive economic, social and environmental benefits and impacts of culture •^~¤¥<+
• Renew the municipal cultural facilities funding program that supports the maintenance, conservation, improvement, retrofitting, development and redevelopment of local cultural places and spaces; and provide an adequate municipal investment that can leverage other funding sources •
• Advocate to the Province, along with other Ontario cities, for the inclusion of growth-related cultural facilities as eligible recipients of funding from development charges under the Development Charges Act •~*
Partnerships and Collaboration • Mount a regular, biennial summit that focuses on bringing Ottawa-based local and national cultural players together to seek opportunities and to discuss challenges in order to build audiences for all •*
Support of Local Culture • Work with Business
for the Arts18 and cultural service organizations to establish a
one-year artsVest19 program in Ottawa, designed to increase private
sector support of local culture •*
• Discuss and plan for the development of an
arts and heritage foundation focused on fundraising and philanthropy,
spearheaded by the AOE Arts Council in partnership with the arts, heritage,
festival and fair communities *•
18 Business for the Arts is Canada’s
national association of business leaders who support the arts, with over 35
years experience in facilitating connections between the private, public and
cultural sector
19 ArtsVest is a matching incentive and training program that is designed to
stimulate business sponsorship and corporate engagement in arts and culture,
and that operates at the local level
Leadership and Participation • Discuss and plan for the development of an independent arms-length arts authority that provides leadership, service and support to the arts community, spearheaded by the Council for the Arts in Ottawa and the AOE Arts Council *•
• Identify opportunities for local cultural initiatives within the mandates of Ottawa Tourism, Invest Ottawa, local chambers of commerce and business improvement associations and work in partnership to deliver ^•
Economic
Development and Tourism • Identify and map Ottawa’s cultural industries
as an emerging economic cluster; and connect this sector with business,
entrepreneurship and the larger creative economy cluster •^
• Develop a keystone organization within the Lead to Win economic program20 that focuses on cultural industry needs, gaps, opportunities and health ^•
• Identify opportunities for culture within Ottawa’s social enterprise ecosystem21, in partnership with the City’s Economic Development Branch and Invest Ottawa ^•
• Include two sessions within the existing
series of Mayor’s business breakfasts that focus on connection between local
culture, economic development and tourism sectors, and integrate additional
cultural elements into this initiative ^•
as
Convener, Catalyst and Planner
• Establish a regular cultural roundtable,
facilitated by the City, to increase communication and collaboration between
all cultural sectors, and with other sectors and government levels; and explore the idea of mounting a biennial cultural summit in Ottawa
that brings together all related parties •*
• Take an ongoing municipal cultural planning and
mapping approach to cultural development in Ottawa •
20Lead
To Win (LTW) is a business development program with the
objective to establish and grow businesses in Canada’s National Capital
Region. Initially, the Lead To Win (LTW) program was founded to develop
technology based industry, but over time the program has grown to encompass all
growth-oriented industries.
21 The social enterprise ecosystem is a connected and collaborative network of
for-profit ventures that have social missions built into their business
models. Social innovation is at the
centre of these models, putting new ideas into practice for the public good.
• Establish a working group of City staff from all relevant departments to apply a cultural and creative lens to City services, and to make it easier for culture producers, consumers and the public at large to work with local government •^+
• Increase the frequency and distribution of effective cultural reporting (including statistics, indicators and trends) to Ottawa’s residents in order to build awareness and understanding around the value, economic impact, and social and environmental benefits of culture •*+