Soumissions et occasions : Programme d'art public

Image: Riverain Park site

This competition is now closed.

1. Introduction

1.1 Public Art Program background

Established in 1985, as one of the first in Canada, the City of Ottawa Public Art Program is committed to increasing awareness and appreciation of the visual arts in Ottawa by collecting, commissioning and exhibiting works of art. A renewed Public Art Policy incorporates the strengths of past decades in Ottawa and reaffirms the objectives of commissioning professional artists to create original works of art for integration into public places. The Public Art Policy mandates one percent (1%) of funds from municipal development are mandated for public art in order to enhance public spaces and make art accessible to everyone.

1.2 Opportunity

The City of Ottawa invites professional artists or artist teams to submit qualifications for the opportunity to design, fabricate and install permanent, site-specific artwork for Riverain Park, in Vanier, Ottawa. This two-stage competition in held in accordance with the Public Art Policy. This Request for Qualifications document provides information, details and submission requirements relating to the public art competition.

1.3 Acknowledgement - Honouring the Algonquin Anishinabe Nation, First Nations, Inuit and Métis peoples

Ottawa is built on unceded territory of the Algonquin Anishinabe Nation. The people of the Algonquin Anishinabe Nation have lived on this territory for millennia. Their culture and presence have nurtured and continue to nurture this land. The City of Ottawa would like to honour the people and land of the Algonquin Anishinabe Nation. The City of Ottawa would also like to honour all First Nations, Inuit and Métis people, their elders, their knowledge keepers, both young and old, their ancestors and their valuable past and present contributions to this land.

1.4 Budget

The total budget for this commission is $85,000 in Canadian Dollars (plus Harmonized Sales Tax, if applicable). This public art budget includes all costs to consult, collaborate, design, fabricate, store, transport and install the public art, plus the cost of engineering, attachments, anchoring or foundations and reinstatement of landscaping and streetscaping. This should also include the Artist’s or Artist’s team time, travel and attendance at meetings and events if applicable.

1.5 Eligibility

This request for qualifications is an equal opportunity, open to local, national and international professional artists and artist teams with experience in creating permanent public art and working with multidisciplinary teams. City of Ottawa employees are not eligible to apply.

The City of Ottawa supports cultural activities that are inclusive of Ottawa's diverse communities including people from diverse ancestries, abilities, ages, countries of origin, cultures, genders, incomes, languages, races and sexual orientations. Applications from First Nations, Inuit and Métis are welcome and encouraged. The City of Ottawa recognizes both official languages (English and French) as having the same rights, status and privileges.

2. Public Art Project Vision

As part of the first phase of the Vanier + Montreal Road Public Art Plan , the public art for Riverain Park will be one of many new public art pieces in Vanier. The artwork’s theme should focus on the natural environment of the area, and more specifically on the ecosystem of the Rideau River. The artwork should engage visitors through storytelling and provide opportunities to learn about the local flora, fauna and/or rich history of the Rideau River.

This artwork should integrate into the newly redeveloped urban park and its many amenities by providing an additional artistic element, with a possible interactive or practical component. The artwork is required to be safe for the public, as well as vandal resistant. Objects that provide places to hide or obscure sightlines art are discouraged.

Image: Riverain Park site

3. Background

3.1 Project Background

The City of Ottawa is undertaking a number of initiatives in the community of Vanier with the common goals of improving neighbourhood’s vibrancy and livability under the banner of Vision Vanier. This includes the modernizing Riverain Park through the renewal of existing amenities and features, as well as adding new and exciting recreational uses. The Vanier + Montreal Rd Public Art Plan recommends the incorporation of artwork in the renewal of Riverain Park.

3.2 Neighborhood Background

Located on the east bank of the Rideau River, Riverain park is used by many downtown residents, and predominantly those from the neighbourhoods of Vanier, Overbrook, and Sandy Hill.

The neighbourhoods of Vanier, Overbrook, and Sandy Hill cover a large eastern sector of the downtown core of Ottawa. It is home to a high population density and diverse demographic. Vanier and Overbrook are rapidly developing neighbourhoods. Sandy Hill hosts many students from the University of Ottawa as well as international embassies. These three communities have a multitude of histories and stories, and an optimistic view of the future.

3.3 Site Background

The Riverain park runs parallel between the Rideau River and North River Rd. The area along the river is owned and operated by the National Capital Commission, while the park and its amenities are owned at operated by the City of Ottawa. Amenities include multi-use pathways, skatepark, tennis courts, basketball courts, and horseshoe pitch, in addition to an off-leash dog park, splash pad, children’s play structures, and adult fitness equipment. Several sites have been made available throughout the part for public art, including the North entrance, along the walkways, and adjacent to the basketball court. Details of the site options will be made available to the shortlisted artists during the proposal phase of the competition.

4. Request for Qualifications (RFQ) Process

This public art commission will be awarded following a two-stage, arm's length, competitive process as follows:

4.1 Selection Process

This public art commission will be awarded following a two-stage, arm's length, competitive process as follows:

Stage I - Request for Qualifications:

Qualifications will be evaluated by a peer assessment committee consisting of artists with public art experience, a community representative and representatives from the project. This committee will review and evaluate submissions from artists in accordance with the evaluation criteria and will shortlist a maximum of four artists to advance to stage II.

Stage II - Request for Proposal:

Shortlisted artists will meet with the project team for an information session, either in person or remotely and will be given terms of reference for preparing proposals, drawings and budgets for Stage II of the competition. Shortlisted artists (maximum four) will be paid an honorarium of $1,500 in Canadian Dollars (plus Harmonized Sales Tax, if applicable) for the preparation of a virtual presentation to the peer assessment Committee.

At a date following the submission of stage II documentation, artists will meet individually with the peer assessment committee for a 30-minute interview to present their proposals and answer questions. The finalist will be determined by the peer assessment committee after the presentations and deliberation.

Technical Review:

A technical review of proposals will be requested prior to the final proposal date. Proposals will be reviewed by the project team, which will provide feedback on the technical and logistical feasibility of the proposed artwork. Draft proposals will not be shared with the voting members of the peer assessment committee. Comments will be shared with shortlisted artists in order to be incorporated into final proposals.

Online Survey:

A portion of the final proposals will be presented to the public though an online survey for community feedback. Feedback will be provided to the peer assessment committee for their consideration.

4.2 Competition Schedule

*schedule is subject to changes.

4.3 Inquiries

Inquiries regarding this RFQ must be directed to Allison O’Connor, Public Art Officer by email at publicartprogram@ottawa.ca.

5. Evaluation Criteria

All submissions will be evaluated based on the artist’s ability to address the public art vision (expression of interest), demonstrate their experience and qualifications (resumé), and show previous artwork (sample project and digital images).

Please note: The City of Ottawa reserves the right to reject any or all submissions, or any part thereof, or to terminate or re-advertise the project. The decision of the peer assessment committee is final.

6. Submission

Your submission must include all 4 sections listed below. Accessible formats and communication supports are available on request.

• Support material may be written in English or French
• Submissions must be received by the deadline outlined in schedule above
• Please send all application material electronically using our new online application form. Have your content ready for inputting as the form does not save your information if you leave or refresh the page.

Late or incomplete applications will not be accepted.

The Public Art Program will send you a confirmation email when your application has been received and processed. If you do not receive an email from the Public Art Program two weeks after your submission, please contact us for confirmation.

All participants will be notified of the results of the selection process by email.

A complete submission must include all requirements as listed below.

6.1 Expression of interest

Submit a maximum of two written pages explaining why you are interested in this opportunity.

• What aspects of this opportunity inspires and excites you?
• What connects you and/or your work to the public art vision for this project?
• What perspective / approach will you bring to the project?
• If you are applying as an artist team, tell us about your past collaborations and how you would work together on this project.

Please do not include proposal information or sketches of a proposed concept. These will not be accepted at this stage as this Call to Artists is a Request for Qualifications not a Request for Proposals.

6.2 Resumé and References

Submit a current resumé of your art training, public exhibitions and commissions of your artwork and projects and any other experience directly relevant to this opportunity on a maximum of three (3) pages. Include your name, mailing address, telephone number and email address. If you are applying as a team, submit a separate resumé for each team member and clearly identify the lead contact for this project.

In addition, submit contact information for two (2) professional references who can verify qualification and projects demonstrated in the submission. References will be called for shortlisted artists only for verification purposes. Please ensure these references are aware that they may be contacted by the City of Ottawa as part of the process for this Request for Qualifications.

6.3 Sample Projects

Submit the detailed information on one or two relevant projects of similar scope and size, undertaken or completed. Each sample should include the following information for each project: project title, team members, client name and location, budget, duration, project overview, role on team, methodology and any other unique or relevant information.

Please be clear which uploaded images in the next section relate to these samples. Please note that uploaded images have a limited description field.

6.4 Samples of previous artwork and detailed list

Upload a maximum of ten files in a combination of digital images and/or video/new media submission of previous artwork. An image file may include a collage of multiple images of the same project, in order to show details or alternate views. Artist teams are also to submit a maximum of ten files. If additional files are included, only the first ten files in the numerical sequence will be considered. If more than ten files are submitted, only the first ten will be reviewed..

*Upload files directly into application form. Please consult form in order to prepare your files. Please note that uploaded images have a limited description field of 50 words.

7. Request for qualifications conditions

7.1 City rights

The City of Ottawa reserves the right to reject any or all submissions, or any part thereof, or to terminate or re-advertise the Call to Artists. The decision of the peer assessment committee is final.

7.2 Disclosure of information

Applicants shall not issue a news release or other public announcement pertaining to details of the request for qualifications, their request for qualifications submission, or the selection process, without the prior written approval of the City of Ottawa.

7.3 Copyright and moral rights

Copyright, including any and all designs, drawings and final works of art, shall remain the property of the artist. Moral rights remain with the artist.

7.4 Confidentiality of information

City of Ottawa employees and peer assessment committee members are required to treat both the content of submissions and the deliberations of the committee as confidential.

Information provided by the applicant may be available to City of Ottawa employees and members of the peer assessment committee. Personal information in your submission is collected under the authority of the City Council approved Public Art policy. Personal information will only be used for evaluating your submission and administering the City of Ottawa’s Public Art Program.

8. Definitions

Artist supply agreement, the contract between the City of Ottawa and the selected artist for the public art opportunity.

Peer assessment committee, a group of individuals with expertise in diverse parts of the arts sector, including disciplinary knowledge and other expertise. Such committees review and assess applications as part of the public art procurement process.

Professional artist, an artist who:

• Has specialized training in the artistic field (not necessarily in academic institutions).
• Is recognized as a professional by his or her peers (artists working in the same artistic tradition).
• Is committed to devoting time and resources to artistic activities.
• Has a history of public presentation or publication.

Technical review panel, to be composed of conservation, design, engineering and project technical experts, responsible for reviewing the selected artist(s) public art proposal regarding feasibility, maintenance, conservation and other technical considerations.

This competition is now closed.

The City of Ottawa invites professional artists or artist teams to submit qualifications for the opportunity to design, fabricate and install two permanent benches which also serve as resting places in the park area between Haven Baptist Church and Jockvale Road. In addition, artists are invited to propose a bench/resting place or sculpture installation at the Kennedy-Burnett Stormwater Management Facility, to the south of Strandherd Drive. This two-stage competition in held in accordance with the Public Art Policy. This Request for Qualifications document provides information, details and submission requirements relating to the Strandherd Drive Widening project and to this public art competition.  

1. Strandherd Drive Widening – Project Background  

The City of Ottawa is undertaking the widening of Strandherd Drive, to a four-lane cross section from Maravista Drive to Jockvale Road in Barrhaven. This is a major and complex infrastructure project spanning approximately 3.3. kilometres in length, and is a significant investment in Barrhaven. It will provide capacity for existing and future traffic volumes during peak periods and facilitate the movement of cyclists and pedestrians through the corridor as well as provide the underground infrastructure to support growth. To support the new development south of Strandherd Drive, the project also includes the expansion and retrofit of the Kennedy-Burnett Stormwater Management Facility to improve water quality. A multi-use pathway will also be constructed throughout the stormwater pond limits and will include a new pedestrian bridge. Construction began in summer 2020 and is anticipated to be complete in the fall 2023.

2. Public Art Vision  

The public art installation on Strandherd Drive will integrate visually significant elements that provide identity and distinctive character to the site. The bench artworks will artistically enhance the renewed adjacent streetscape in addition to incorporating contemporary elements to ensure a timeless design. They should serve a purpose to provide somewhere for pedestrian to pause and rest as they walk between Strandherd Drive, Haven Baptist Church and the residential community to the north. In addition, artists are invited to propose a bench/resting place or sculpture installation for the neighbouring Kennedy-Burnett Stormwater Management Facility to the south of Strandherd Drive. There is the opportunity to create a dialogue between the three artworks.

The artworks will enhance the site by creating an environment that is aesthetically interesting and engaging for the community, pedestrian and vehicular traffic. The artworks should be conceptually and visually innovative, and reflect a thorough and sensitive understanding of place, context and setting.  

3. Public Art Design Requirements

Completed works of art shall:

• Demonstrate contemporary artistic excellence
• Be conceptually timeless and enduring
• Show sensitivity to the surrounding community and address site characteristics
• Complementing the style, scale and medium of the renewed streetscape
• Be engaging to pedestrians and adjacent vehicular traffic
• Be safe for the public
• Be made of highly permanent materials that are suitable to the environment and require minimal maintenance
• Comply with all building codes and bylaws

4. Public art Sites and descriptions 

The aerial view above shows the park location on the north side of Strandherd Drive between Haven Baptist Church and Jockvale Road, providing pedestrian pathways between Strandherd Drive and the residential community to the north.

Reference plans:
Strandherd Drive Key Plan
Strandherd Widening Roll Plan

In addition, artists have the option to also propose a bench artwork for the neighbouring Kennedy-Burnett Stormwater Management Facility to the south of Strandherd Drive. A multi-use pathway borders the stormwater facility and connects Strandherd Drive to the residential community to the south. It also features a new pedestrian bridge at the south of the facility. Artists are welcome to propose a suitable location for artwork within this area.

Standard bench concrete pads will be provided by the General Contractor, and detailed specifications will be provided as part of the Terms of Reference document at the next stage. A suggested location for the concrete pads is shown as yellow circles in the park area image above, however other location suggestions are welcome. If proposed artwork bench(es) and/or sculpture require a different foundation base, please note that artists will be expected to provide stamped engineering drawings and specifications to the Project Team. The installation of any foundation will be undertaken by the General Contractor and the cost (within reason) will be covered by the construction project.

These benches will help create a unique sense of place and present an alternative to standardized benches. Although designated as public artworks, the artist-designed furnishings will need to fulfill the traditional functions of a bench or seating element, as well as meet safety requirements set out by the Accessibility for Ontarians with Disabilities Act (AODA).

5. Public Art Budget 

The total budget for this commission is $155,000 in Canadian Dollars plus Harmonized Sales Tax. This public art budget includes all costs to consult, collaborate, design, fabricate, store, transport and install the public art, plus the cost of engineering, attachments and anchoring to the foundations. This should also include the Artist’s or Artist’s team time, travel and attendance at meetings and events.   

6. Schedule (dates subject to change) 

7. Background information  

7.1 City of Ottawa Public Art Program  

Established in 1985, as one of the first in Canada, the City of Ottawa Public Art Program is committed to increasing awareness and appreciation of the visual arts in Ottawa by collecting, commissioning and exhibiting works of art. A renewed Public Art Policy incorporates the strengths of past decades in Ottawa and reaffirms the objectives of commissioning professional artists to create original works of art for integration into public places. The Public Art Policy mandates one percent of funds from municipal development are mandated for public art in order to enhance public spaces and make art accessible to everyone. 

7.2 City of Ottawa Honouring Statement

Ottawa is built on un-ceded Algonquin Anishinabe territory.  
The peoples of the Algonquin Anishinabe Nation have lived on this territory for millennia. 
Their culture and presence have nurtured and continue to nurture this land. 
The City of Ottawa honours the peoples and land of the Algonquin Anishinabe Nation. The City of Ottawa honours all First Nations, Inuit and Métis peoples and their valuable past and present contributions to this land. 

7.3 Eligibility  

This request for qualifications is an equal opportunity, open to local, national and international professional artists and artist teams with experience in creating permanent public art and working with multidisciplinary teams. City of Ottawa employees are not eligible to apply.

The City of Ottawa supports cultural activities that are inclusive of Ottawa's diverse communities including people from diverse ancestries, abilities, ages, countries of origin, cultures, genders, incomes, languages, races and sexual orientations. Applications from First Nations, Inuit and Métis are welcome and encouraged. The City of Ottawa recognizes both official languages (English and French) as having the same rights, status and privileges.

8. Request for Qualifications Process 

8.1 Selection process 

This public art commission will be awarded following a two-stage, arms length, competitive process as follows:

Request for Qualifications: Stage I
Qualifications will be evaluated by a Peer Assessment Committee consisting of artists with public art experience, a community representative and representatives from the Strandherd Drive Widening project. This committee will review and evaluate submissions from artists in accordance with the Evaluation Criteria and will shortlist a maximum of four artists to advance to Stage II.

Request for Proposals: Stage II
Shortlisted artists will meet with the Project Team for an Information Session remotely, and will be given Terms of Reference for preparing proposals, drawings and budgets for Stage II of the competition. Shortlisted artists will be paid an honorarium of $1,500 plus Harmonized Sales Tax for the preparation of a presentation to the Peer Assessment Committee.

A technical review of proposals will be requested prior to the final submission date. Proposals will be reviewed by the project team, which will provide feedback on the technical and logistical feasibility of the proposed artwork. Draft proposals will not be shared with the voting members of the Peer Assessment Committee. Comments will be shared with shortlisted artists in order to be incorporated into final proposals.

Following the submission of Stage II documentation, artists will meet individually with the Peer Assessment Committee for a 30 minute interview to present their proposals and answer questions. Shortlisted artists should ensure they have access to a high-speed internet connection to enable this interview to be conducted virtually.

11. Request for Qualifications Conditions

11.1 City Rights

The City of Ottawa reserves the right to reject any or all submissions, or any part thereof, or to terminate or re-advertise the Call to Artists. The decision of the Peer Assessment Committee is final.

11.2 Disclosure of Information

Applicants shall not issue a news release or other public announcement pertaining to details of the Request for Qualifications, their Request for Qualifications submission, or the selection process, without the prior written approval of the City Of Ottawa.

11.3 Copyright and moral rights

Copyright, including any and all designs, drawings and final works of art, shall remain the property of the Artist. Moral rights remain with the Artist.

11.4 Confidentiality of Information

City of Ottawa employees and Peer Assessment Committee members are required to treat both the content of submissions and the deliberations of the committee as confidential. Information provided by the applicant may be available to City of Ottawa employees and members of the peer assessment committee. Personal Information in your submission is collected under the authority of the City Council approved Public Art Policy. Person al information will only be used for evaluating your submission and administering the City of Ottawa’s Public Art Program.

12. Definitions 

Artist Supply Agreement, the contract between the City of Ottawa and the selected Artist for the public art opportunity.

Peer Assessment Committee, a group of individuals with expertise in diverse parts of the arts sector, including disciplinary knowledge and other expertise. Such committees review and assess applications as part of the public art procurement process.

Professional Artist, an artist who:

• Has specialized training in the artistic field (not necessarily in academic institutions).
• Is recognized as a professional by his or her peers (artists working in the same artistic tradition).
• Is committed to devoting time and resources to artistic activities.
• Has a history of public presentation or publication.

Site-specific art, whether long-term or temporary, functional or aesthetic, standalone or integrated and in any media, is an original work that is created in response to the immediate context of the building and or landscape within the site.

Technical Review Panel, to be composed of conservation, design, engineering and project technical experts, responsible for reviewing the selected artist(s) public art proposal in regards to feasibility, maintenance, conservation and other technical considerations.

This competition is now closed.

As part of the Ottawa Public Library and Library and Archives Canada Joint Facility project, the Indigenous Art Program has been developed to include opportunities to celebrate Indigenous art, culture and heritage.

There are five Indigenous public art opportunities as part of the Ottawa Public Library and Library and Archives Canada project:

The Ottawa Public Library and Library and Archives Canada project invites senior and mid-career Indigenous artists from across Canada to submit their request for qualifications to be considered for permanent artwork(s) installed on the exterior pillars. This public art call for artists is a two-stage selection process. Artist and artist teams are encouraged to apply as well as consult with the host Algonquin communities.

Please email your submission documents to publicartprogram@ottawa.ca

Budget: $425,000 plus harmonized sales tax

Contact: Dawn Saunders Dahl, Curator - Indigenous Art, Indigenouspublicart@gmail.com
If you would prefer to speak directly to Dawn, please email to coordinate a date and time.

To request an information package for this opportunity including architectural drawings, please contact publicartprogram@ottawa.ca

Virtual information sessions

Two information sessions were held in March where Dawn Saunders-Dahl and members of the Ottawa Public Library – Library and Archives Canada Joint Facility Project Team shared information about the Indigenous Public Art Calls to Artists, architectural inspirations for the facility’s design, programs, services and other features of the joint facility.

Please contact Dawn Saunders Dahl, Curator- Indigenous Public Art, Indigenouspublicart@gmail.com for a copy of the presentation slides and/or recording.

Submissions from senior and mid-career Indigenous visual artists/teams will require:

• Expression of interest that includes the approach to community engagement and consultation, what connects you and your work to the project (maximum two pages)
• Artist statement (maximum one page)
• Artist curriculum vitae /resume (maximum three pages)
• 10 images of previous work and image list

1. Introduction

1.1 Honouring the Algonquin Anishinabe Nation, Canadian First Nations, Inuit and Métis peoples

Ottawa is built on the traditional unceded territory of the Algonquin Anishinabe Nation, the Omàmiwininìwag (Algonquin peoples, in the Algonquin language). The people of the Algonquin Anishinabe Nation have lived on this territory for millennia. Their culture and presence have nurtured and continue to nurture this land. The City of Ottawa would like to honour the people and land of the Algonquin Anishinabe Nation. The City of Ottawa would also like to honour all First Nations, Inuit and Métis people, their elders, their knowledge keepers, both young and old, their ancestors and their valuable past and present contributions to this land.

1.2 About Ottawa

The origin of the name "Ottawa" is derived from the Algonquin word adawe, meaning "to trade". The word refers to the indigenous peoples who used the river to trade, hunt, fish, camp, harvest plants, ceremonies, and for other traditional uses. The first maps made of the area started to name the major river after these peoples. Located along the Ottawa River is the capital city of Canada. Ottawa is in close proximity to Quebec and the United States border has a metropolitan population of more than 1,000,000 living in the greater Ottawa area.

1.3 Public Art Program background

Established in 1985, as one of the first in Canada, the City of Ottawa Public Art Program is committed to increasing awareness and appreciation of the visual arts in Ottawa by collecting, commissioning and exhibiting works of art. A renewed Public Art Policy incorporates the strengths of past decades in Ottawa and reaffirms the objectives of commissioning professional artists to create original works of art for integration into public places. The Public Art Policy mandates one percent of funds from municipal development are mandated for public art in order to enhance public spaces and make art accessible to everyone.

1.4 Eligibility

This request for qualifications is open to Indigenous artists or artist teams. This request for qualifications is an equal opportunity, open to Indigenous senior and mid-career artists from Canada with experience creating permanent public artworks. City of Ottawa employees are not eligible to apply. Eligible senior and mid-career artist are recognized as:

• having specialized training in the artistic field (not necessarily in academic institutions).
• a professional by artistic peers (artists working in the same artistic tradition).
• being committed to devoting time and resources to artistic activities.
• having a history of public presentation or publication.

1.5 Public Art opportunities

The City of Ottawa invites Indigenous artists or artist teams to submit a request for qualifications to design, fabricate and install a permanent artwork on the exterior pillars. We encourage applicants to consult with the local Algonquin Annishnabeg communities to develop the artwork. Please contact us if you require contact information for the local Indigenous communities. This two-stage competition is held in accordance with the Public Art Policy.

2. Ottawa Public Library and Library and Archives Canada project background

2.1 Project background and context

Located at 555 Albert Street, the facility will house exhibition and collections space, reading rooms, a creative centre, children’s area, a genealogy centre and cafe, configured around a large town hall. Diamond Schmitt Architects stated that the building’s design draws from Ottawa’s rich history and natural beauty “with a dynamic form reminiscent of the nearby Ottawa River. The stone and wood exterior reflect the adjacent escarpment and surrounding green space on the western edge of downtown. The windows, top floors and rooftop offer unparalleled views of the Ottawa River and Gatineau Hills in Quebec.” The site was chosen for its configuration, access, unobstructed sight lines and proximity to other cultural institutions. Located at the edge of Lebreton Flats, the site is linked to the surrounding environment, and to the lands of our three founding peoples. It overlooks the landscape of the Ottawa River, a vital natural system in the heart of the city.

The Ottawa Public Library and Library and Archives Canada Joint Facility will be a landmark destination built on the shared values and passions of the partner institutions: knowledge, history, discovery, culture, creativity, collaboration, and connections. This innovative collaboration between a public library and the national library and archives will offer an enriched experience for customers and visitors, bringing together diverse collections, providing exhibition and event spaces, and free and open access to millions of documents and the rich Canadian documentary heritage. It will be built to a minimum of Leadership in Energy and Environmental Design Gold certification and be accessible by light-rail and multi-use pathways for cyclists and pedestrians. Learn more.

The Ottawa Public Library and Library and Archives Canada project team have engaged community members and elders from the Algonquin Host Nations during the architectural design phase, and there is also ongoing dialogue with urban Indigenous communities as the project progresses.

2.2 Partner organizations

Ottawa Public Library: Ottawa Public Library is the largest bilingual (English/French) public library system in North America. The Ottawa Public Library extends public access to information and services through the library’s 34 branches, physical and virtual, as well as two mobile libraries and a vending machine-style lending library service. Serving close to one million Ottawa residents, Ottawa Public Library’s mission is to inspire learning, spark curiosity, and connect people.

Library and Archives Canada: As the custodian of our distant past and recent history, Library and Archives Canada is a key resource for all Canadians who wish to gain a better understanding of who they are, individually and collectively. Library and Archives Canada acquires, processes, preserves and provides access to our documentary heritage and serves as the continuing memory of the Government of Canada and its institutions.

Funding for the Ottawa Public Library and Library and Archives Canada Joint Facility public art projects is in accordance with the City of Ottawa’s Public Art Policy with one per cent of municipal development funds and an additional contribution from Library and Archives Canada.

2.3 Project vision and description

The Ottawa Public Library and Library and Archives Canada joint facility will be a landmark destination built on the shared values and passions of the partner institutions: knowledge, history, discovery, culture, creativity, collaboration, and connections.

This innovative collaboration of library and archives will offer an enriched experience for customers and clients, bringing together diverse collections, providing exhibition and event spaces, and offering free and open access to millions of documents and the rich Canadian documentary heritage.

The joint programs and services will make this a truly unique offering in Canada.

The new facility will be a gathering place where people can connect to each other, their history, the resources they seek and the discoveries they make.

It will be a modern facility that will respond to rapidly developing technology, growing customer expectations and changing demographics.

Built to a minimum of Leadership in Energy and Environmental Design Gold certification and accessible by light-rail and multi-use pathways for cyclists and pedestrians, the facility will be part of building a sustainable Ottawa.

3. Public Art opportunity

3.1 Curator vision for Indigenous art and programming in the facility

The Indigenous Art Program for the Ottawa Public Library and Library and Archives Canada joint facility will honour, support and showcase Indigenous art created by Indigenous artists from Canada. This program will integrate public art artwork by local, regional and national Indigenous artists (First Nations, Inuit and Métis) throughout the interior and exterior of the facility. Indigenous art will be integrated into the facility to create a welcoming and inclusive space representing strong, traditional and contemporary Indigenous artists. Selected artworks will inspire future Indigenous art programs within the facility.

3.2 Design requirements

The completed works of art shall:

• Demonstrate contemporary, innovative artistic excellence
• Show sensitivity to the host nation through consultation with Algonquin community members.
• Integrate with the style and function of Ottawa Public Library and Library and Archives Canada joint facility, complementing the building architecture, style, scale, medium and integrity
• Be durable and easily maintained, be made of permanent materials that are suitable to the Ottawa environment and require minimal maintenance. Ottawa is windy and this area will be salted in the winter months.
• Be safe for the public and have no protruding obstacles that would cause injury.

3.3 Locations

The pillars located on the exterior of the facility have been identified as the artwork locations. Visitors that enter from the Pimisi transit station through the landscaped plaza will see four prominent pillars, this entrance directly leads into the Ottawa Public Library and faces considerable external light in the afternoon. There are also pillars located where visitors can access via the main entrance on the south west side of the building. This entrance directly leads into the National Archives and Library and faces considerable light in the morning. Artists are required to utilize all pillars and have the option to use all or portions of the pillar surface areas, dependant on materials and budget. The art installation opportunities include: glass or tile mosaics, low relief sculpture, wood or metal engraving. Other material options as presented by the artist will be considered. The public art opportunity is for the artwork be integrated into the exterior pillars.

The exterior structural concrete columns located at building entrances and adjacent to the second-floor Indigenous terrace. The art installations will be integrated into the cladding for these 7 columns.

Column height: various, range from 4.2 to 9.7 meters (14 to 32 feet) Column diameter: 0.9 meters (3 feet)

3.4 Budget

The total budget for this commission is $425,000 Canadian Dollars plus harmonized sales tax. This public art budget includes all costs to consult, collaborate, design, fabricate, store, transport and install the public art, plus the cost of engineering, attachments, anchoring or foundations and reinstatement of landscaping. This should also include the artist’s or artist’s team time, travel and attendance at meetings and events.

4. Request for proposal process

4.1 Selection process

The submissions will be reviewed by a jury. Artists will be assessed on their art development, creation, as well as their community engagement, exhibition and public art experiences. Algonquin artists can submit individually, or as a team. This public art commission will be awarded following a two-stage, arms-length, competitive process as follows:

Stage I: Qualifications will be evaluated by a jury consisting of artists with public art experience, Algonquin and Indigenous community representatives and representatives from the Ottawa Public Library and Library and Archives Canada project. This jury will review and evaluate submissions from artists in accordance with the evaluation criteria and will shortlist a maximum of three artists to advance to Stage II.
Stage II: Shortlisted artists will meet with the project team remotely for an information session and will be given terms of reference for preparing proposals, drawings, budgets and references for Stage II of the competition. Shortlisted artists (maximum three) will be given an honorarium of $1500 plus harmonized sales tax for the preparation of community engagement plan, draft budget and work plan.

A technical review of proposals will be requested prior to the final submission date. Proposals will be reviewed by the project team, which will provide feedback on the technical and logistical feasibility of the proposed artwork. Draft proposals will not be shared with the voting members of the Peer Assessment Committee. Comments will be shared with shortlisted artists in order to be incorporated into final proposals.

At a date following the submission of Stage II documentation, artists will meet individually with the Peer Assessment Committee for a 30-minute virtual interview to present their proposals and answer questions. It is expected that a finalist will be determined by the peer assessment committee by December 2021.

4.2 Schedule

subject to change

5. Evaluation and selection criteria

All applicants must have demonstrated experience in the following areas:

• Experience working on public art projects integrated within large-scale architecture or landscape projects.
• Demonstrated experience with managing and leading projects of a minimum of $300,000 Canadian dollars.
• Experience in project management as related to the creation and installation of public artwork, visual art and/or design.
• Strong written and verbal communications skills with ability to interpret architectural drawings.
• Experienced working with stakeholders or others involved in the projects as required.
• Availability to deliver the project for the duration as set out in the project schedule.

Submissions will be evaluated based on previous artwork and projects, qualifications, artistic practice and approach to engaging with the community. Shortlisted artists will be required to submit a budget and references in the second stage.

6. Submission requirements

Your submission must include all sections listed below.

• Materials may be written in English or French
• Documents must be submitted as one PDF file
• If you are experiencing difficulties using the online application form, please contact publicartprogram@ottawa.ca to discuss applying via email.
• Late or incomplete submissions will not be reviewed and mailed applications will not be accepted due to COVID-19 restrictions.
• For any application process inquires please contact Hannah Kingscote, Public Art Officer by phone 613-244-4429, or email publicartprogram@ottawa.ca

Please do not include proposal information or sketches of a proposed concept. These will not be accepted at this stage as this call to artists is a request for qualifications not a request for proposals.

6.1 Artist statement

Please provide your artist’s statement. This statement should outline your artistic practice, thematic trends and your creative approach to artmaking. Artist teams shall provide one artist’s statement for the entire group. Do not exceed one page.

6.2 Expression of interest

Submit a maximum of two written pages explaining why you are interested in this opportunity.

• What aspects of this opportunity inspires and excites you?
• What connects you and/or your work to the public art vision for this project?
• What perspective / approach will you bring to the project?
• If you are applying as an artist team, tell us about your collaborations and how you would work together on this project.
• In the context of this project, describe how you would engage with host Algonquin nation and local communities and what impact collaboration with the community would have on your design.
• Artist teams shall provide one description for the entire group.

6.3 Current curriculum vitae/resume(s)

Please submit a current résumé highlighting relevant experience on projects similar to or directly related to this opportunity. Artist Teams shall provide résumés for each team member. Each résumé should not exceed three pages and should be included in this submission.

6.4 Images - technical information

Submit a maximum of ten files in a combination of digital images and/or video/new media submission of previous artwork. An image file may include a collage of multiple images of the same project, in order to show details or alternate views. Artist teams are also to submit a maximum of ten files. If additional files are included, only the first ten files in the numerical sequence will be considered.

In addition, submit a list, maximum two written pages, with detailed information on the submitted digital images of previous artwork, using the name assigned to the file as per the examples below. Include title, date, medium, dimensions, budget, location, fabrication and installation process and other pertinent information of submitted samples of previous artworks.

Digital image file specifications:

• JPG format
• Maximum of 1,240 pixels (along the longest side)
• Digital image files should be named with a number, followed by the title, date, medium, metric dimensions and cost, each separated by an underscore.

Examples of the naming convention:

• 01_Title_date_medium_ height x width x depth cm_ $cost.jpg
• 02_Untitled_2014_LED and resin_1 x 4.5 x 7 m_$180,000.jpg

Video/new media file specifications:

• PC compatible
• Viewable in Windows Media Player or QuickTime
• Named using the same naming convention as above
• Applicants are responsible to test their submission materials to ensure readability
• Each minute of video/new media content counts as one digital image

Materials that require specialized software, plug-ins, extensions or other executables that need to be downloaded or installed, or materials that are embedded in any type of presentation, such as websites or Word or PowerPoint documents, will not be accepted.

7. Resources

• Kitigan Zibi Cultural Centre
• Algonquins of Pikwakanagan First Nation - Omàmiwininì Pimàdjwowin (The Algonquin Way Cultural Centre)
• Algonquins of Ontario (Member Communities - 10)
• Algonquin Anishinabeg Nation Tribal Council (Member Communities-7)
• Ottawa Public Library and Library and Archives Joint Facility

8. Request for proposal conditions

8.1 Disclosure of information

Applicants shall not issue a news release or other public announcement pertaining to details of the Request for proposal, their Request for proposal submission, or the selection process, without the prior written approval of the City Of Ottawa.

8.2 Copyright and moral rights

Copyright, including any and all designs, drawings and final works of art, shall remain the property of the artist.
Moral rights remain with the artist.

8.3 Confidentiality of information

City of Ottawa employees and peer assessment committee members are required to treat both the content of submissions and the deliberations of the committee as confidential. To protect confidentiality, committee members turn in their copies of proposal materials for shredding at the end of the assessment meeting. Information provided by the applicant may be available to City of Ottawa employees and members of the peer assessment committee. Personal Information in your submission is collected under the authority of the City Council approved Public Art Policy. Personal information will only be used for evaluating your submission and administering the City of Ottawa’s Public Art Program.

Note: The City of Ottawa reserves the right to reject any or all submissions, or any part thereof, or to terminate or re-advertise the project. The decision of the peer assessment committee is final.

Ottawa Public Library and Library and Archives Canada Joint Facility, Indigenous Public Art

This competition is now closed.

As part of the Ottawa Public Library and Library and Archives Canada Joint Facility project, the Indigenous Art Program has been developed to include opportunities to celebrate Indigenous art, culture and heritage.

There are five Indigenous public art opportunities as part of the Ottawa Public Library and Library and Archives Canada project:

The Ottawa Public Library and Library and Archives Canada project invites senior, mid-career and emerging Indigenous artists from across Canada to submit proposals to be considered for permanent artwork(s). This public art call for artists is a two-stage selection process. Indigenous artist and artists teams are encouraged to apply as well as consult with the host Algonquin communities.

Deadline for Submissions: Friday, June 18, 2021, 4 pm (Eastern Standard Time)
Please email your submission documents to publicartprogram@ottawa.ca

Budgets:

Exterior sculpture installation in north-west garden area and/or second-floor terrace

• $150,000 plus harmonized sales tax

Interior installation Pimisi entrance

• $100,000 plus harmonized sales tax

Contact: Dawn Saunders Dahl, Curator- Indigenous Public Art, Indigenouspublicart@gmail.com
If you would prefer to speak directly to Dawn, please email to coordinate a date and time.

To request an information package for this opportunity including architectural drawings, please contact publicartprogram@ottawa.ca

Virtual information sessions

Two information sessions were held in March where Dawn Saunders-Dahl and members of the Ottawa Public Library – Library and Archives Canada Joint Facility Project Team shared information about the Indigenous Public Art Calls to Artists, architectural inspirations for the facility’s design, programs, services and other features of the joint facility.

Please contact Dawn Saunders Dahl, Curator- Indigenous Public Art, Indigenouspublicart@gmail.com for a copy of the presentation slides and/or recording.

Submissions from mid-career and emerging Indigenous visual artists/teams will require:

• Artist curriculum vitae/résumé (maximum three pages)
• Artist statement (maximum one page)
• Approach to community engagement and mentorship (maximum one page)
• Ten images of previous work and image list

1. Introduction

1.1 Honouring the Algonquin Anishinabe Nation, Canadian First Nations, Inuit and Métis peoples

Ottawa is built on the traditional unceded territory of the Algonquin Anishinabe Nation, the Omàmiwininìwag (Algonquin peoples, in the Algonquin language). The people of the Algonquin Anishinabe Nation have lived on this territory for millennia. Their culture and presence have nurtured and continue to nurture this land. The City of Ottawa would like to honour the people and land of the Algonquin Anishinabe Nation. The City of Ottawa would also like to honour all First Nations, Inuit and Métis people, their elders, their knowledge keepers, both young and old, their ancestors and their valuable past and present contributions to this land.

1.2 About Ottawa

The origin of the name "Ottawa" is derived from the Algonquin word adawe, meaning "to trade". The word refers to the indigenous peoples who used the river to trade, hunt, fish, camp, harvest plants, ceremonies, and for other traditional uses. The first maps made of the area started to name the major river after these peoples. Located along the Ottawa River is the capital city of Canada. Ottawa is in close proximity to Quebec and the United States border has a metropolitan population of more than 1,000,000 living in the greater Ottawa area.

1.3 Public Art Program background

Established in 1985, as one of the first in Canada, the City of Ottawa Public Art Program is committed to increasing awareness and appreciation of the visual arts in Ottawa by collecting, commissioning and exhibiting works of art. A renewed Public Art Policy incorporates the strengths of past decades in Ottawa and reaffirms the objectives of commissioning professional artists to create original works of art for integration into public places. The Public Art Policy mandates one percent of funds from municipal development are mandated for public art in order to enhance public spaces and make art accessible to everyone.

1.4 Eligibility

This request for proposals is open to Indigenous artists from across Canada. Both sites are open to senior, mid-career and emerging artists and artist teams, experience in creating permanent public art is an asset but not required. City of Ottawa employees are not eligible to apply. Eligible senior, mid-career and emerging artists are recognized as:

• having specialized training in the artistic field (not necessarily in academic institutions)
• a professional by artistic peers (artists working in the same artistic tradition)
• being committed to devoting time and resources to artistic activities
• having a history of public presentation or publication

1.5 Public Art opportunities

The City of Ottawa invites Indigenous artists or artist teams from Canada to submit a request for proposal to design, fabricate and install permanent artwork for two sites. Two artists or teams will be selected to create art for exterior sculpture(s) and/or the interior wall location. We encourage applicants to tell a story and consult with the local Algonquin Annishnabeg communities to develop the proposal. Please contact us if you require contact information for the local Indigenous communities. Both opportunities are two-stage competitions that are held in accordance with the Public Art Policy.

2. Ottawa Public Library and Library and Archives Canada project background

2.1 Project background and context

Located at 555 Albert Street, the facility will house exhibition and collections space, reading rooms, a creative centre, children’s area, a genealogy centre and cafe, configured around a large town hall. Diamond Schmitt Architects stated that the building’s design draws from Ottawa’s rich history and natural beauty “with a dynamic form reminiscent of the nearby Ottawa River. The stone and wood exterior reflect the adjacent escarpment and surrounding green space on the western edge of downtown. The windows, top floors and rooftop offer unparalleled views of the Ottawa River and Gatineau Hills in Quebec.” The site was chosen for its configuration, access, unobstructed sight lines, and proximity to other cultural institutions. Located at the edge of Lebreton Flats, the site is linked to the surrounding environment, and to the lands of our three founding peoples. It overlooks the landscape of the Ottawa River, a vital natural system in the heart of the city.

The Ottawa Public Library and Library and Archives Canada Joint Facility will be a landmark destination built on the shared values and passions of the partner institutions: knowledge, history, discovery, culture, creativity, collaboration, and connections. This innovative collaboration between a public library and the national library and archives will offer an enriched experience for customers and visitors, bringing together diverse collections, providing exhibition and event spaces, and free and open access to millions of documents and the rich Canadian documentary heritage. It will be built to a minimum of Leadership in Energy and Environmental Design Gold certification and be accessible by lite-rail and multi-use pathways for cyclists and pedestrians. Learn more.

The Ottawa Public Library and Library and Archives Canada project team have engaged community members and Elders from the Algonquin Host Nations during the architectural design phase, and there is also ongoing dialogue with urban Indigenous communities as the project progresses.

2.2 Partner organizations

Ottawa Public Library: Ottawa Public Library is the largest bilingual (English/French) public library system in North America. The Ottawa Public Library extends public access to information and services through the library’s 34 branches, physical and virtual, as well as two mobile libraries and a vending machine-style lending library service. Serving close to one million Ottawa residents, Ottawa Public Library’s mission is to inspire learning, spark curiosity, and connect people.

Library and Archives Canada: As the custodian of our distant past and recent history, Library and Archives Canada is a key resource for all Canadians who wish to gain a better understanding of who they are, individually and collectively. Library and Archives Canada acquires, processes, preserves and provides access to our documentary heritage and serves as the continuing memory of the Government of Canada and its institutions.

Funding for the Ottawa Public Library and Library and Archives Canada Joint Facility public art projects is in accordance with the City of Ottawa’s Public Art Policy with one per cent of municipal development funds and an additional contribution from Library and Archives Canada.

2.3 Project vision and description

• The Ottawa Public Library and Library and Archives Canada Joint Facility will be a landmark destination built on the shared values and passions of the partner institutions: knowledge, history, discovery, culture, creativity, collaboration, and connections.
• This innovative collaboration of library and archives will offer an enriched experience for customers and clients, bringing together diverse collections, providing exhibition and event spaces, and offering free and open access to millions of documents and the rich Canadian documentary heritage.
• The joint programs and services will make this a truly unique offering in Canada.
• The new facility will be a gathering place where people can connect to each other, their history, the resources they seek and the discoveries they make.
• It will be a modern facility that will respond to rapidly developing technology, growing customer expectations and changing demographics.
• Built to a minimum of Leadership in Energy and Environmental Design Gold certification and accessible by light-rail and multi-use pathways for cyclists and pedestrians, the facility will be part of building a sustainable Ottawa.

3. Public Art opportunity

3.1 Vision for Indigenous art and programming in the facility

The Indigenous Art Program for the Ottawa Public Library and Library and Archives Canada Joint Facility will honour, support and showcase Indigenous art created by Indigenous artists from Canada. This program will integrate public art artwork by local, regional and national Indigenous artists (First Nations, Inuit and Métis) throughout the interior and exterior of the facility. Indigenous art will be integrated into the facility to create a welcoming and inclusive space representing strong, traditional and contemporary Indigenous artists.

3.2 Design requirements

The completed works of art shall:

• Demonstrate contemporary, innovative artistic excellence
• Show appreciation to the host nation through consultation with Algonquin community members.
• Integrate with the style and function of Ottawa Public Library and Library and Archives Canada Joint Facility, complementing the building architecture, style, scale, medium and integrity
• Be durable and easily maintained, be made of permanent materials that are suitable to the Ottawa environment and require minimal maintenance. Ottawa is windy and these areas will be salted in the winter months.
• Be safe for the public and have no protruding obstacles that would cause injury.

3.3 Locations

Exterior sculpture/installation

The north west exterior park area at the first floor north exterior terrace has been identified as an artwork location. The public art opportunity is for sculpture and/or art installation integrated into the park, pathway and/or exterior elements. Art installation options include sculpture, lighting, sound, planting within the garden area. Other options as presented by the artist will be considered.

The exterior of the second-floor terrace has also been identified as an artwork location. The public art opportunity is for sculpture and/or art installation integrated into the terrace area. Art installation options include sculpture, sound and planting within the designated terrace area. Other options as presented by the artist will be considered.

Note: both locations may be selected for two artworks that speak to each other

Second floor exterior terrace with visual connection to the interior circular Indigenous multi-purpose gathering space/meeting room. Terrace is enclosed by curtain wall on the building side and guard clad with stone to waist height.

• Space height: 3 meters (9.8 feet).
• Terrace details: exterior balustrade guards with stone cladding, curtain wall with glass panels, precast concrete paver flooring.

Interior Pimisi entrance

The north east Pimisi interior area of the facility has been identified as the artwork location.  Visitors enter from the plaza area and the Pimisi transit station which directly leads into the Ottawa Public Library that faces considerable external light in the afternoon. The public art opportunity is for a 2D/low-relief artwork installation and/or video/film/animation projection to be located on a two-storey high interior wall within the Pimisi entrance lobby.

Two-storey high wall facing the Pimisi entrance doors, adjacent to the public stairs leading to the main gathering space at the first floor level.

• Wall height: 9.2 meters (30 feet)
• Wall width: 3.3 meters (11 feet)

Wall construction: drywall with metal studs cladding the structural concrete elevator walls, paint finish, power and data available.

3.4 Budget

The total budget for this commission is in Canadian dollars plus harmonized sales tax:

Exterior sculpture installation (North east garden and/or second floor terrace)

• $150,000 plus harmonized sales tax

Interior Pimisi entrance

• $100,000 plus harmonized sales tax

These public art budgets include all costs to consult, collaborate, design, fabricate, store, transport and install the public art, plus the cost of engineering, attachments, anchoring or foundations and reinstatement of landscaping. This should also include the artist’s or artist’s team time, travel and attendance at meetings and events.

4. Request for proposals process

4.1 Selection process

The submissions will be reviewed by a jury. Artists will be assessed on their art development, creation, as well as their community engagement, exhibition and public art experiences. Artists can submit individually, or as a team. This public art commission will be awarded following a two-stage, arms-length, competitive process as follows:

• Stage I: Submissions will be evaluated by a jury consisting of artists with public art experience, Algonquin and Indigenous community representatives and representatives from the Ottawa Public Library and Library and Archives Canada project. This jury will review and evaluate proposals from artists in accordance with the Evaluation Criteria and will shortlist a maximum of three artists to advance to Stage II.
• Stage II: Shortlisted artists will meet with the curator and project team remotely for an information session and will be given terms of reference for preparing proposals, drawings and budgets for Stage II of the competition. Shortlisted artists (maximum three) will be given an honorarium of $1500 plus harmonized sales tax for preparing a community engagement plan, draft budget and work plan.

A technical review of proposals will be requested prior to the final submission date. Proposals will be reviewed by the project team, which will provide feedback on the technical and logistical feasibility of the proposed artwork. Draft proposals will not be shared with the voting members of the Peer Assessment Committee. Comments will be shared with shortlisted artists in order to be incorporated into final proposals.

At a date following the submission of Stage II documentation, artists will meet individually with the Peer Assessment Committee for a 30-minute virtual interview to present their proposals and answer questions. It is expected that a finalist will be determined by the peer assessment committee by December 2021.

4.2 Schedule

subject to change

5. Evaluation and selection criteria

All applicants must have demonstrated experience in the following areas:

• in the visual arts, public art experience is an asset but not required;
• in project management as related to the creation of public artwork, visual art and/or design;
• working within community engagement/consultation with strong written and verbal communication skills;

Submissions will be evaluated based on previous artwork and projects, qualifications, artistic practice and approach to engaging the community. Shortlisted artists will be required to submit a budget and references in the second stage.

6. Submission requirements

Your submission must include all sections listed below.

• Materials may be written in English or French
• Documents must be submitted as one PDF file
• Submissions must be received no later than: Friday, June 18, 2021, 4 pm (Eastern Standard Time). A confirmation email will be sent when your application has been received.
• Please email your submission documents to publicartprogram@ottawa.ca
• Late or incomplete submissions will not be reviewed and mailed applications will not be accepted due to COVID-19 restrictions.
• For any application process inquires please contact Hannah Kingscote, Public Art Officer by phone 613-244-4429 or email  publicartprogram@ottawa.ca

6.1 Artist statement

Please provide your artist’s statement. This statement should outline your artistic practice, thematic trends and your creative approach to artmaking. Artist teams shall provide one artist’s statement for the entire group. Do not exceed one page.

6.2 Proposal outline

Please submit an outline of your proposed concept, one page maximum. Indicate your approach to interpreting the commission opportunity, how you will meet the design requirements, and what materials and processes you would consider for the fabrication of the artwork.

6.3 Approach to community engagement

Please provide a description of your approach to community collaboration in the context of this project. Describe how you would engage with the Algonquin communities and what impact collaboration with the community would have on your final artwork. Artist teams shall provide one description for the entire group. Do not exceed one page. Please indicate which opportunity you are applying for within your application.

6.4 Current curriculum vitae/résumé(s)

Please submit a current résumé highlighting relevant experience on projects similar to or directly related to this opportunity. Artist teams shall provide résumés for each team member. Each résumé should not exceed three pages and should be included in this submission.

6.5 Images - technical information

Submit a maximum of ten files in a combination of digital images and/or video/new media submission of previous artwork. An image file may include a collage of multiple images of the same project, in order to show details or alternate views. Artist teams are also to submit a maximum of ten files. If additional files are included, only the first ten files in the numerical sequence will be considered.

In addition, submit a list, maximum two written pages, with detailed information on the submitted digital images of previous artwork, using the name assigned to the file as per the examples below. Include title, date, medium, dimensions, budget, location, fabrication and installation process and other pertinent information of submitted samples of previous artworks.

Digital image file specifications:

• JPG format
• Maximum of 1,240 pixels (along the longest side)
• Digital image files should be named with a number, followed by the title, date, medium, metric dimensions and cost, each separated by an underscore.

Examples of this naming convention:

• 01_Title_date_medium_ height x width x depth cm_ $cost.jpg
• 02_Untitled_2014_LED and resin_1 x 4.5 x 7 m_$180,000.jpg

Video/new media file specifications:

• PC compatible
• Viewable in Windows Media Player or QuickTime
• Named using the same naming convention as above
• Applicants are responsible to test their submission materials to ensure readability
• Each minute of video/new media content counts as one digital image

Materials that require specialized software, plug-ins, extensions or other executables that need to be downloaded or installed, or materials that are embedded in any type of presentation, such as websites or Word or PowerPoint documents, will not be accepted.

7. Resources

• Kitigan Zibi Cultural Centre
• Algonquins of Pikwakanagan First Nation - Omàmiwininì Pimàdjwowin (The Algonquin Way Cultural Centre)
• Algonquins of Ontario (Member Communities-10)​​​​​​
• Algonquin Anishinabeg Nation Tribal Council (Member Communities-7)
• Explore the Ottawa Public Library and Library and Archives Joint Facility

8. Request for proposals conditions

8.1 Disclosure of information

Applicants shall not issue a news release or other public announcement pertaining to details of the request for proposals, their request for proposals submission, or the selection process, without the prior written approval of the City Of Ottawa.

8.2 Copyright and moral rights

Copyright, including any and all designs, drawings and final works of art, shall remain the property of the artist. Moral rights remain with the artist.

8.3 Confidentiality of information

City of Ottawa employees and peer assessment committee members are required to treat both the content of submissions and the deliberations of the committee as confidential. To protect confidentiality, committee members turn in their copies of proposal materials for shredding at the end of the assessment meeting.

Information provided by the applicant may be available to City of Ottawa employees and members of the peer assessment committee. Personal Information in your submission is collected under the authority of the City Council approved Public Art Policy. Personal information will only be used for evaluating your submission and administering the City of Ottawa’s Public Art Program.

Note: The City of Ottawa reserves the right to reject any or all submissions, or any part thereof, or to terminate or re-advertise the project. The decision of the peer assessment committee is final.

Ottawa Public Library – Library and Archives Canada Joint Facility  

This competition is now closed. Learn More

The City of Ottawa is seeking an Indigenous Curator or team of curators to develop and curate an Indigenous Art Program for the new Ottawa Public Library – Library and Archives Canada Joint Facility. This two-stage competition is held in accordance with the Public Art Policy. City of Ottawa employees are not eligible to apply.

1. Acknowledgement – Honouring the Algonquin Anishinabe Nation, First Nations, Inuit and Métis peoples

Ottawa is built on unceded territory of the Algonquin Anishinabe Nation. The people of the Algonquin Anishinabe Nation have lived on this territory for millennia. Their culture and presence have nurtured and continue to nurture this land. The City of Ottawa would like to honour the people and land of the Algonquin Anishinabe Nation. The City of Ottawa would also like to honour all First Nations, Inuit and Métis people, their elders, their knowledge keepers, both young and old, their ancestors and their valuable past and present contributions to this land.

2. Project Background: Ottawa Public Library – Library and Archives Canada Joint Facility

The City of Ottawa and the Ottawa Public Library, in partnership with Library and Archives Canada are building a new 216,000 square foot joint facility at 555 Albert Street that is anticipated to receive an average of 5,000 visitors a day. The Ottawa Public Library – Library and Archives Canada Joint Facility will contribute to the ongoing transformation of Canada’s capital into a world-class city through the creation of a prestigious modern facility that brings together and showcases a new Ottawa Public Library’s Central Library with Library and Archives Canada’s public services.

The facility will contain 21 functional components made up of Ottawa Public Library-only spaces, Library and Archives Canada-only spaces, and shared spaces. The shared spaces will enhance the complementary but unique nature of Ottawa Public Library and Library and Archives Canada services, and will include:

• Exterior Spaces – a shared outdoor space for programs and activities, acting as an interface between the building and the public realm;
• A Main Entrance and Town Square – a shared entrance space with access to Ottawa Public Library and Library and Archives Canada spaces, and meeting spaces, featuring a café and Gift Shop;
• Public Forum and Meeting Spaces – large multipurpose spaces for programming and events for the community, as well as both Ottawa Public Library and Library and Archives Canada;
• An Exhibition Gallery – museum-quality spaces featuring exhibitions of rare and unique Library and Archives Canada collections, travelling exhibitions; and Ottawa Public Library and City of Ottawa community exhibitions and;
• A Genealogy Centre – a one-of-a-kind research space offering Ottawa Public Library and Library and Archives Canada services and collections.

The Ottawa Public Library-Library and Archives Canada Joint Facility, located at 555 Albert Street, will be near residential and mixed-use areas, the Pimisi light rail station, and green spaces. The site offers excellent sightlines and connectivity to the surrounding cityscape and natural environment, with views of the historic LeBreton Flats, aqueduct and Fleet Street pumping station, the Ottawa River, Gatineau Hills and the downtown Ottawa skyline. The Ottawa Public Library - Library and Archives Canada Joint Facility will also be located in close proximity to Chaudière Falls, a traditional sacred site for the Algonquin Anishinabeg Nation and other First Nations. The site and its surrounding area and views will be important considerations for both architectural design and public art development. The facility will be positioned to maximize the site’s historic views and enhanced topography of the escarpment.

3. Ottawa Public Library-Library and Archives Canada Joint Facility Project Schedule

* Project schedule and milestones subject to change

4. Indigenous Art Program Opportunity

The City of Ottawa Public Art Program is seeking an experienced and highly motivated Indigenous curator or team of curators to develop and curate an Indigenous Art Program for the Ottawa Public Library - Library and Archives Canada Joint Facility. The curator will work collaboratively with the Ottawa Public Library - Library and Archives Canada Joint Facility Project Team and Indigenous stakeholders to determine a conceptual framework for Indigenous art integrations at the facility. In addition, the Indigenous Curator will work with the Architect and the Artist on Design Team for a coordinated approach to art integration at the facility. The curator must bring a high level of conceptual ability and innovation to the curation process, have a strong network of artists and art practitioners and be well versed in local and national Indigenous art practices and cultural protocols.

5. Project Vision

The Indigenous Art Program for the Ottawa Public Library-Library and Archives Canada joint facility will honour, support and showcase Indigenous art and cultures by integrating artwork by local, regional and national Indigenous artists (First Nations, Inuit and Métis) throughout the facility and/or the landscape. Including Indigenous art in and around the facility will create a welcoming and inclusive space that will represent strong and forward-thinking artists. The development and curation of the Indigenous Art Program for the Ottawa Public Library-Library and Archives Canada Joint Facility should be informed by research, best practices and engagement with Indigenous stakeholders and be planned in coordination with the Architectural Design Team. In addition, the development and curation of the Indigenous Art Program will be inclusive, be a balanced representation of multiple indigenous communities, and be sensitive to feedback from stakeholder engagement. Artists and artwork selected for the Indigenous Art Program may be procured through an open, invitational or curatorial selection process working with the Indigenous Art Advisory Committee. Multiple art opportunities in all mediums are encouraged, with an approximate overall art budget of $400,000.

6. Indigenous Curator Scope of Work

• Review architectural and landscape plans to identity potential locations for art installations at the facility in coordination with the Architectural Design Team and the Artist on the Design Team;
• Consult and engage with Indigenous stakeholders including members of the Algonquin Anishinabeg Nation, local/national Indigenous stakeholders in coordination with the Architect’s Design Process Engagement and Consultation Plan;
• Attend and/or facilitate, meetings with Ottawa Public Library-Library and Archives CanadaProject Team and stakeholders as required;
• Develop an innovative curatorial approach to Indigenous art integration at the facility;
• Develop a comprehensive strategy for the Indigenous Art Program that identifies objectives, sites, approaches and budgets for individual art opportunities;
• Working with the Public Art Program, lead the Indigenous art procurement process including but not limited to;
• Recommend procurement methods (open, invitational, curatorial) for specific opportunities;
• Write Calls to Artists and solicit artists participation in selection process;
• Plan and coordinate orientation workshop shortlisted artists as required;
• Attend various Indigenous Art Program Advisory Committee meetings as a voting member, to curate and select artists;
• Produce written progress reports and final report;
• Deliver a public presentation for the community at large on the process and outcome of the Indigenous Art Program.

7. Schedule

*Schedule is subject to change
Deadline for applications: Monday, September 9, 2019, noon (Eastern Standard Time)
Finalist interviews: Thursday September 26 (in person or remotely)
Curator contracted: October 2019
Indigenous Art Program development: October 2019 to April 2020
Indigenous Art Procurement Initiated: May 2020

8. Budget

The fee for this opportunity is $50,000 in Canadian dollars plus harmonized sales tax and is inclusive of all costs associated with the development and curation of the Indigenous Art Program including attending meetings, consultation, travel, research, fees, etc.

9. Selection Process

The successful proponent will be selected for this opportunity through an open call process coupled with finalists’ interviews. An assessment committee comprised of City staff and professional external or internal consultants will review and evaluate the candidates according to the selection criteria and select up to five applicants for interviews.

Finalists will be invited to discuss their experience, past curatorial projects, and approaches as well as answer questions relating to working on this type of project.

The City of Ottawa reserves the right to reject any or all submissions, or any part thereof, or to terminate or re-advertise the project.

10. Selection criteria

Indigenous Curators who meet the following criteria may be considered for an interview:

• An established practice in Indigenous art curation;
• Demonstrated previous experience developing and curating Indigenous art exhibitions, and/or public art;
• Strong network of Indigenous artists;
• Well versed in local and national Indigenous art practices and cultural protocols;
• Strong verbal and written communication skills;
• A demonstrated understanding of the project and its context;
• Creative and inclusive curation and consultation methodology.

11. Confidentiality of information

City of Ottawa employees and peer assessment committee members are required to treat both the content of submissions and the deliberations of the committee as confidential. To protect confidentiality, committee members turn in their copies of proposal materials for shredding at the end of the assessment meeting.

Information provided by the applicant may be available to City of Ottawa employees and members of the peer assessment committee. Personal Information in your submission is collected under the authority of the City Council approved Public Art Policy. Personal information will only be used for evaluating your submission and administering the City of Ottawa’s Public Art Program.

Installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada, Programme d’art autochtone

Ce concours est maintenant terminé.

Le Programme d’art autochtone a été mis au point dans le cadre du Projet de l’installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada pour consacrer l’art, la culture et le patrimoine autochtones.

Il y a cinq possibilités de marchés d’art public autochtone dans le cadre du projet de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada

La Ville d’Ottawa recherche un mentor autochtone possédant l’expérience des commandes d’œuvres d’art public pour le nouveau projet de l’installation partagée de Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada. Les artistes visuels autochtones chevronnés et au mitan de leur carrière d’un océan à l’autre sont invités à déposer une déclaration d’intérêt. Cet appel se déroule conformément à la Politique d’art public de la Ville d’Ottawa.

Il n’est pas nécessaire que le mentor réside à Ottawa; le calendrier de travail est souple dans la période prévue et selon les étapes du projet. Le mentor sélectionné donnera des conseils dans l’élaboration des propositions à au plus six artistes ou équipes d’artistes sélectionnés et exercera ses fonctions auprès des deux artistes ou équipes sélectionnés. Il jouera aussi le rôle de conseiller, pendant le processus de sélection, pour deux projets de marché sur l’art public autochtone : la salle polyvalente autochtone (avec l’option supplémentaire de la salle de lecture des enfants) et la conception du verre fritté extérieur ou de la pellicule intérieure sur verre dans l’œuvre d’art public.

Formulaire de candidature en ligne. Veuillez préparer votre contenu pour pouvoir le saisir, puisque le formulaire ne vous permet pas d’enregistrer l’information si vous quittez la page ou que vous la réactualisez.

Budget : 30 000 $ dollars canadiens, taxe de vente harmonisée en sus

Durée du contrat : De mai 2021 à 2024 (approximativement)

Personne-ressource: Dawn Saunders Dahl, conservatrice des arts autochtones, Indigenouspublicart@gmail.com
Si vous préférez parler directement à Dawn Saunders, veuillez lui adresser un courriel pour coordonner la date et l’heure du rendez-vous téléphonique.

Les artistes et les équipes d’artistes autochtones chevronnés ou au mitan de leur carrière devront déposer :

• le curriculum vitæ de l’artiste (maximum de trois pages);
• la déclaration d’intérêt décrivant dans leurs grandes lignes vos liens avec ce projet de marché et votre approche dans la participation communautaire et le mentorat (maximum d’une page);
• deux références (noms et coordonnées à jour).

Remarque : Les artistes-mentors sont invités à déposer également des propositions pour donner suite aux appels d’offres d’art public pour les artistes autochtones.

1. Introduction

1.1 Rendre hommage aux peuples de la Nation algonquine Anishinabeg, ainsi qu’aux Premières Nations, Inuits et Métis du Canada

Ottawa est construite sur le territoire traditionnel non cédé de la nation algonquine Anishinabeg. Le peuple de cette nation occupe ce territoire depuis des millénaires. Sa culture et sa présence ont mis en valeur ce territoire et continuent de le faire. La Ville d’Ottawa tient à rendre hommage au peuple et au territoire de la nation algonquine Anishinabeg. Elle souhaite aussi rendre hommage à tous les membres des Premières Nations, à tous les Inuits et à tous Métis, ainsi qu’à leurs aînés, aux gardiens du savoir - jeunes et moins jeunes - et à leurs ancêtres, en plus de saluer leur précieux apport, passé et présent, à ce territoire.

1.2 À propos d’Ottawa

La Ville d’Ottawa doit son nom au mot algonquin adawe, qui veut dire « commercer ». Ce mot rappelle des peuples autochtones qui se servaient des cours d’eau pour faire du commerce, de la chasse, de la pêche, pour camper, pour récolter des plantes, pour mener des cérémonies et pour exercer d’autres activités traditionnelles. Dans les cartes tracées pour la région, on a commencé à nommer le cours d’eau le plus important d’après ces peuples. La capitale du Canada est située sur les berges de la rivière des Outaouais. Voisine du Québec et de la frontière américaine, Ottawa réunit une population métropolitaine de plus de 1 000 000 d’habitants dans la grande région de cette ville.

1.3 Programme d’art public : contexte

En fondant, en 1985, le Programme d’art public, qui a été l’un des premiers programmes du genre au Canada, la Ville d’Ottawa s’est engagée à mieux faire connaître et apprécier les arts visuels dans la ville en collectionnant et en commandant des œuvres d’art, pour ensuite les mettre en valeur. La nouvelle Politique d'art public s’inspire des points forts des dernières décennies à Ottawa et réaffirme les objectifs dans la commande d’œuvres d’art originales d’artistes professionnels pour intégrer ces œuvres dans les espaces publics. La Politique d'art public oblige à consacrer à l’art public un pour cent des fonds destinés aux projets d’aménagement municipaux afin de rehausser les espaces publics et de rendre l’art accessible à tous.

1.4 Admissibilité

Cette déclaration d’intérêt s’adresse aux artistes autochtones qui ont l’expérience de l’art public. Elle s’inscrit dans le cadre d’un projet de marché dans lequel tous les proposants sont sur un pied d’égalité et qui s’adresse aux artistes autochtones nés au Canada et qui ont l’expérience du mentorat et de l’art public. Les employés de la Ville d’Ottawa ne peuvent pas y participer. Sont réputés être admissibles les artistes qui ont :

• suivi une formation spécialisée dans leur domaine artistique (non nécessairement dans des établissements d’enseignement);
• sont reconnus comme des professionnels par leurs pairs (soit des artistes travaillant selon la même tradition artistique);
• s’engagent à consacrer du temps et des ressources à leurs activités artistiques;
• déjà publié, exposé ou présenté publiquement leurs œuvres;
• l’expérience de la création et de l’installation d’œuvres d’art public, ainsi que de la présentation ou de la publication de l’art.

2. Projet de Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada : contexte

2.1 Contexte et renseignements généraux

Située au 555, rue Albert, l’installation abritera des salles d’exposition et de collections, des salles de lecture, un centre de création, une zone pour les enfants, un centre de généalogie et un café, qui seront aménagés autour d’une vaste agora. Le cabinet Diamond Schmitt Architects a fait savoir que la conception du bâtiment s’inspire de la riche histoire et de la majesté naturelle d’Ottawa « grâce à une forme dynamique qui rappelle la rivière des Outaouais toute proche. L’extérieur en pierre et en bois est à l’image de l’escarpement voisin et de l’espace vert environnant dans le secteur ouest du centre-ville. Les fenêtres, les étages supérieurs et le toit offrent des panoramas exceptionnels de la rivière des Outaouais et des collines de la Gatineau au Québec ». Le site a été choisi pour sa configuration, ses conditions d’accès, ses lignes de mire sans obstruction, son coût et sa proximité par rapport à d’autres institutions culturelles. Situé à la lisière des plaines LeBreton, ce site est lié à nos institutions nationales et aux territoires de nos trois peuples fondateurs. Il surplombe le paysage de la rivière des Outaouais, réseau naturel vital au cœur de la ville.

L'installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada est appelée à devenir une destination phare, bâtie selon les valeurs et les passions communes des institutions partenaires : le savoir, l’histoire, la découverte, la culture, la créativité, la collaboration et les connexions. Cette collaboration innovante entre une bibliothèque publique et la bibliothèque et les archives nationales permettra d’offrir une expérience enrichie aux clients et aux visiteurs, en réunissant diverses collections, en aménageant des salles d'exposition et d'événements et en permettant d’avoir librement accès à des millions de documents et au riche patrimoine documentaire canadien. L’installation sera construite selon la certification Leadership in Energy and Environmental Design de niveau Or au minimum et sera accessible grâce au train léger sur rail et à des sentiers polyvalents pour les cyclistes et les piétons. En savoir plus

L’équipe du projet de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada a fait appel à des membres des communautés et aux aînés des nations algonquines hôtes pendant la phase de la conception architecturale et mène un dialogue permanent avec les communautés autochtones urbaines à mesure que le projet avance.

2.2 Organismes partenaires du projet

Bibliothèque publique d’Ottawa : La Bibliothèque publique d’Ottawa est le plus vaste réseau de bibliothèques publiques bilingues (françaises et anglaises) en Amérique du Nord. La Bibliothèque publique d’Ottawa donne publiquement accès à l’information et aux services grâce à ses 34 succursales physiques et virtuelles, ainsi qu’à deux bibliothèques mobiles et à un service de prêt d’ouvrages selon le principe du distributeur automatique. Au service de près d’un million de résidents d’Ottawa, la Bibliothèque publique d’Ottawa a pour mission de promouvoir l’apprentissage, d’éveiller la curiosité et de rapprocher les personnes.

Bibliothèque et Archives Canada : En tant que gardien du passé lointain comme de l’histoire récente, Bibliothèque et Archives Canada est une ressource essentielle pour tous les Canadiens qui veulent en savoir plus sur leur identité individuelle et collective. Bibliothèque et Archives Canada s’occupe de faire l’acquisition, de traiter, de préserver et de rendre accessibles notre patrimoine documentaire et sert de mémoire permanente du gouvernement du Canada et de ses institutions.

Le financement des projets d’art public de l’installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada est conforme à la Politique d'art public de la Ville d’Ottawa consacrant ainsi un pour cent des fonds destinés aux projets d’aménagement municipaux et une contribution additionnelle de Bibliothèque et Archives Canada.

2.3 Vision et description

• L’installation partagée de Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada sera une destination phare, fondée sur les valeurs et les passions communes des institutions partenaires : le savoir, l’histoire, la découverte, la culture, la créativité, la collaboration et les connexions.
• Cette collaboration novatrice entre les deux institutions permettra d’offrir une expérience enrichie aux usagers et aux clients, en réunissant des collections diverses, en aménageant des salles d’exposition et d’événements et en permettant d’avoir librement accès à des millions de documents et au riche patrimoine documentaire du Canada.
• Les programmes et les services conjoints feront de cette installation un lieu vraiment exceptionnel au Canada.
• La nouvelle installation sera un lieu de rassemblement dans lequel les gens pourront nouer des liens entre eux, avec leur histoire, avec les ressources qu’ils recherchent et avec les découvertes qu’ils feront.
• Il s’agira d’une installation moderne, qui sera adaptée au perfectionnement rapide de la technologie, aux attentes grandissantes de la clientèle et à l’évolution démographique.
• Construite selon la certification Leadership in Energy and Environmental Design de niveau Or au minimum et accessible grâce au train léger et aux sentiers polyvalents pour les cyclistes et les piétons, l’installation permettra de faire d’Ottawa une ville durable.

3. Projet de marché d’art public

3.1 Vision de la conservatrice pour l’art et la programmation autochtones dans l’installation

Le Programme d’art autochtone de l’installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada rendra hommage aux arts autochtones créés par des artistes autochtones du Canada, en fera la promotion et en assurera le rayonnement. Ce programme permettra d’intégrer les œuvres d’art public d’artistes autochtones locaux, régionaux et nationaux (Premières Nations, Inuits et Métis) partout à l’intérieur et à l’extérieur de l’installation. L’art autochtone sera intégré dans l’installation afin de créer un espace accueillant et inclusif représentant la vigueur, les traditions et la modernité des œuvres des artistes autochtones.

3.2 Projet de marché pour le mentorat autochtone

Les responsables du Programme d’art public de la Ville d’Ottawa recherchent un artiste autochtone chevronné et très motivé pour assurer le mentorat d’un ou de plusieurs artistes ou équipes d’artistes de la localité. Ce mentor ferait partie du Comité de sélection par les pairs pour les projets de marché d’art algonquin dans le cadre de l’installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada. L’artiste-mentor travaillera en collaboration avec la conservatrice de l’art autochtone et avec le personnel du Programme d’art public d’Ottawa dans le cadre d’une approche concertée pendant le déroulement de ces projets de marché. L’artiste-mentor doit avoir l’expérience de l’art public, apporter de vastes compétences conceptuelles et de la créativité dans le cadre du mentorat, en plus de maîtriser les pratiques artistiques et les protocoles culturels autochtones.

Les arts et la culture autochtones sont le fruit de connaissances à la fois riches et incommensurables, et depuis des siècles, les aînés et les gardiens du savoir offrent aux jeunes générations de l’île de la Tortue des réseaux d’entraide. Nous constatons qu’à mesure que les aînés et les membres de la communauté passent, cette perte de connaissances, de concert avec l’intégration de vues différentes sur le monde, a pour effet de limiter les occasions de « passer le flambeau ». Les objectifs du mentorat consistent à offrir des expériences positives, en donnant l’occasion de transférer des connaissances qui fortifieront l’expression artistique autochtone dans le domaine de l’art public. Pour exercer un encadrement constructif, le mentor apportera de l’aide aux artistes et aux équipes sélectionnés dans la localité; cette aide s’étendra à tous les aspects de l’art public, sans toutefois s’y limiter :

• élaboration et contenu de la conception;
• connaissance, connexion et procédés de fabrication;
• connexion et processus d’installation;
• budget, calendrier, rapports et demandes de renseignements.

3.3 Mentor autochtone : portée des travaux

• Participer à différentes réunions dans les cas nécessaires, dont une réunion du Comité de sélection pour l’appel local aux artistes autochtones, en tant que conseiller (sans droit de vote) pour les artistes retenus pour la salle polyvalente autochtone (et l’option du centre de lecture des enfants) et pour les appels aux artistes appelés à réaliser des œuvres d’art public pour la conception du verre fritté ou de la pellicule sur verre.
• Présenter un exposé public à l’ensemble de la communauté à propos du projet de mentorat (avec la conservatrice de l’art autochtone au besoin, en présentiel ou en distanciel).
• Mettre au point une approche de mentorat innovante, permettant d’exercer le mentorat dans le cadre des processus de conception, de fabrication et d’installation pour l’appel aux artistes locaux, sous réserve de l’examen effectué par l’équipe de l’art public et la conservatrice de l’Art public autochtone.
• Produire un rapport final imprimé faisant état des considérations pour les processus projetés de l’art public et du mentorat.

3.4 Calendrier du projet de marché d’art public

(sous réserve des modifications)

4. Déroulement de la déclaration d’intérêt

4.1 Processus de sélection

Le proposant retenu dans le cadre de ce projet de marché sera sélectionné dans le cadre d’un appel public, à l’issue d’un processus sur invitation et d’entrevues. Un comité d’évaluation constitué d’employés de la Ville et d’experts-conseils professionnels externes ou internes examinera et évaluera les candidatures selon les critères de sélection fixés pour les entrevues.

Les finalistes seront invités à :

• préparer un plan de travail faisant état de leur approche dans le cadre de ce projet de marché;
• citer des projets dont la portée et l’envergure sont comparables et qui ont été déjà réalisés ou qui sont achevés et qui mettent en lumière leur créativité;
• participer à des entrevues pour les candidats sélectionnés; ces entrevues permettront de discuter du plan de travail proposé et de l’expérience de l’art public, de la conservation et du mentorat.

La Ville d’Ottawa se réserve le droit de rejeter l’une quelconque ou la totalité des documents déposés, ou toute partie de ces documents, ou encore de mettre fin à ce projet ou de le relancer.

4.2 Critères de sélection

Les mentors autochtones qui répondent aux critères suivants pourront être invités à l’entrevue :

• pratique artistique établie et expérience des processus et du mentorat de l’art public et de la formation;
• maîtrise des pratiques artistiques et des protocoles culturels autochtones locaux et nationaux;
• solides talents pour communiquer de vive voix et par écrit et connaissance confirmée du projet et de son contexte;
• l’accès aux outils de réunion en ligne est souhaitable.

5. Documents à déposer

• Vous devez déposer des documents conformément aux trois conditions ci-après.
• Les documents peuvent être rédigés en français ou en anglais.
• Ils doivent être déposés dans le même fichier PDF.

Nous préférons que les candidats déposent toutes leurs pièces justificatives électroniquement en faisant appel à notre formulaire de candidature en ligne. Veuillez préparer votre contenu pour pouvoir le saisir, puisque le formulaire ne vous permet pas d’enregistrer l’information si vous quittez la page ou que vous la réactualisez.

Veuillez adresser tous les documents déposés dans le même courriel (programmedartpublic@ottawa.ca), en indiquant dans l’objet « Candidature pour le mentorat de l’art public autochtone ».

• Les documents déposés en retard ou incomplets ne seront pas examinés et les candidatures envoyées par la poste ne seront pas acceptées en raison des restrictions imposées pendant la COVID-19.
• Si vous avez besoin de renseignements sur le dépôt des candidatures ou que vous ne pouvez pas déposer votre candidature en ligne, ou encore si vous ne recevez pas de courriel de confirmation dans le délai de deux semaines suivant le dépôt de vos documents, veuillez communiquer avec Hannah Kingscote, agente d’art public, par téléphone (613-244-4429) ou par courriel (programmedartpublic@ottawa.ca).

5.1 Déclaration d’intérêt

Veuillez déposer un document d’au plus deux pages expliquant les raisons pour lesquelles ce projet de marché vous intéresse.

• Quels sont les liens entre vos travaux antérieurs et ce projet?
• Décrivez votre expérience du mentorat et de la formation.

5.2 Curriculum vitæ à jour

Veuillez déposer le curriculum vitæ à jour faisant état de vos études, de votre formation, de votre expérience de l’enrichissement ou de la consultation et de toute expérience se rapportant directement à ce projet de marché, dans un document d’au plus trois pages.

5.3 Références

Veuillez indiquer les coordonnées de deux professionnels qui peuvent attester de votre expérience de l’art public et du mentorat. Veuillez-vous assurer que ces personnes savent que la Ville d’Ottawa pourra communiquer avec elles dans le cadre de l’évaluation des documents déposés pour donner suite à cette déclaration d’intérêt.

6. Ressources

• Centre culturel Kitigan Zibi
• Algonquins de la Première Nation Pikwakanagan – Omàmiwininì Pimàdjwowin (le Centre culturel Algonquin Way)
• Algonquins de l’Ontario (communautés membres : 10)
• Conseil tribal de la nation algonquine Anishinabeg (communautés membres : 7)
• L’installation partagée de la Bibliothèque publique d’Ottawa et de Bibliothèque et Archives Canada

7. Conditions de la déclaration d’intérêt

7.1 Divulgation de l’information

Les candidats ne doivent pas publier de communiqués ni diffuser d’autres messages publics se rapportant aux détails de la demande de proposition, des documents qu’ils déposent ou du processus de sélection sans l’approbation écrite préalable de la Ville d’Ottawa.

7.2 Confidentialité de l’information

Les employés de la Ville d’Ottawa et les membres du Comité d’évaluation par les pairs doivent traiter avec une discrétion absolue le contenu des documents déposés et les délibérations du comité. Pour protéger la confidentialité de l’information, les membres du Comité doivent remettre leurs exemplaires des documents de la proposition pour les faire déchiqueter à la fin de la réunion d’évaluation. L’information déposée par le candidat peut être consultée par des employés de la Ville d’Ottawa et par les membres du Comité d’évaluation par les pairs. Les renseignements personnels reproduits dans les documents que vous déposez sont recueillis conformément à la Politique d’art public approuvée par le Conseil municipal. Les renseignements personnels ne serviront qu’à évaluer les documents déposés et à administrer le Programme d’art public de la Ville d’Ottawa.

Remarque importante : La Ville d’Ottawa se réserve le droit de rejeter l’une quelconque ou la totalité des documents déposés, ou toute partie de ces documents, ou encore de mettre fin à ce projet ou de le relancer. La décision du Comité d’évaluation par les pairs est définitive.